In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

In 1940, shortly before the outbreak of war, a young boy Marjan lives a carefree life with his gang in Ljubljana, experiencing all the problems of his age. With Lenka he's experiencing his first "pure" love, while discovering sexuality... The Italian occupation brings many changes, gang breaks up, some join the liberation movement, the others join collaborationist forces. Marjan remain "unlisted". Italians surrender, and hand over the city to Germans. Frivolous Milena, who has good connections with them, seduces Marjan whom she lost her innocence with. The war is over and the partisans win. The new authorities mistakenly imprison Marjan.

An 86 year old lady escapes from nursing home, picks up two musicians in the process and they all drive off south to a new life in a Mercedes convertible.

VERY COOL的东欧超现实电影。
The seventies were a period in which the filming of literary works became widespread. These were mainly adaptations of the classics from Slovenian literature. There were, however, two noteworthy exceptions, one based on a children’s book and another on a contemporary novel. Sreca na vrvici (Hang On, Doggy), a children’s comedy about the restrictions of life in urban surroundings, was very popular. To so gadi (Real Pests), a farcical comedy set in a suburban environment, was released at around the same time and went on to become one of biggest hits.
The next decade brought very few hits to the cinema, with some notable exceptions like the grotesque fantasy-comedy about the struggle for the power called Butnskala (Bumpstone) made by Franci Slak. While in this movie the terror of totalitarianism was still allegorical, it became much more concrete in the movie Hudodelci (The Felons).