Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Documentary about the love-hate relationship between filmmakers and film critics with interviews made at Cannes Film Festival. Cast (in alphabetical order) Woody Allen ... Himself Pedro Almodóvar ... Himself David Cronenberg ... Himself Maria de Medeiros ... Herself Manoel de Oliveira ... Himself Atom Egoyan ... Himself Rubens Ewald Filho ... Himself Nelson Hoineff ... Himself Christophe Honoré ... Himself Serge Kaganski ... Himself Gérard Lefort ... Himself Ken Loach ... Himself Michel Piccoli ... Himself Caetano Veloso ... Himself Wim Wenders ... Himself

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

故事讲的是冷战时期，苏联著名棋手阿吉瓦虽然年老体弱，但仍被莫斯科方面派往日内瓦与一名被苏联政府驱逐的棋手弗洛姆对弈。在这场世纪大战中每个人似乎都成为了棋盘上的一颗棋子，比赛要打满10局看谁能够获胜！直到阿吉瓦心脏病发作倒在床榻上奄奄一息，两人的较量仍然没有结束……

More than just an abbreviated form of "La Belle Noiseuse", Rivette re-cut his footage with some important differences in point of view - this one being more from Marianne's point of view.

文森特（塞弗瑞·布朗歇特 Séverin Blanchet 饰）是一名政府大臣，和女友马蒂尔德（莉莉·莱薇娜 Lily Lavina 饰）交往多年。马蒂尔德是一个非常败金的女人，她和文森特在一起的唯一理由，就是后者能够给她提供优渥的生活。虽然知道马蒂尔德的秉性，但深深的为她着迷的文森特并不能够离开她，反而被她一次又一次的利用和上海。 一天，文森特意外的遭到了辞退，变成了无业游民，为此，马蒂尔德无情的离开了他。事业和感情的双重打击让文森特一蹶不振，所幸玛瑞安（米歇尔·皮寇利 Michel Piccoli 饰）不离不弃的陪伴在他的身边，一步一步带领文森特走出了抑郁。

Piccoli and Schneider teamed up for two of Claude Sautet's best films "les choses de la vie" and "Max et les ferrailleurs" and finally Jacques Rouffio's " la passante du sans-souci" which ,sadly,was to be Schneider's last part. "La voleuse" which is the earliest of their collaborations has fallen into oblivion.Although directed by a French,the action takes place in Germany and ,with the exception of Piccoli,the actors are all German (like Schneider herself) Although based on a melodramatic screenplay,this effort is rather austere filmed in a bleak black and white with a strange use of the wide screen:during the cast and credits ,at the beginning,Schneider mumbles words which the music drowns out and we only understand her last words.We think she is in a shrink's office but she's actually talking with her husband.When she was nineteen ,she gave birth to a child who was taken in by another family.And now she wants her child again,and with the help of the Police,she "steals "(hence the title:= the thief)her boy from his foster parents .The adoptive father is not prepared to accept it and he threatens to commit suicide . The film is rather undistinguished but it has become poignant when you know Romy Schneider's awful fate:she lost her own child and died two years later.With hindsight,"la voleuse" was a frightening omen.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.

Poland is under Communist rule. An exiled Polish theater director is in England, enthusiastically preparing an abstract play which will criticize the authoritarian Polish government. His sons might not share his political views, though.

Three French sisters have their lives interrupted and their relationship called into question when their father returns to visit 15 years after having abandoned them and their now-deceased mother. Each responds differently to his return according to how her character evolved from her relation with him and his unexpected departure. They eventually realize, though, that the somewhat elderly father is quickly losing his memory and his ability to function, and the youngest daughter's decision to accept him again while she can ends up permanently changing her family ties with her sisters.

Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.

内容： 卡拉是一个对待生活和工作随意性极强的女孩，有人出钱让卡拉跟踪一位由于年事渐高，记忆力逐渐衰退的大学教授。在漫长的旅行中，卡拉回忆起儿时的情形和遇到过的形形色色的人，她试图重新找回自我。当她终于精疲力尽踏上月台，等待回家的火车时，却意外地发现老人也同样站在月台上。 本片曾参展1997年第三届上海国际电影节.

The mistress of a wealthy man misses material comforts when she leaves him for a younger lover.

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

“Will be at the cinema Sunday night. Sorry”, this is what Manon, 18 years old, writes to her father after a year of absence. Pierre, the father and Ariane, his girlfriend, wait for her at the cinema. Ariane plays the different possible arrival of his daughter, but nothing calms the anxiety of Pierre. He asks his young team of actresses to play the role of Manon for him. When finally Manon comes out of the shadow ... A tense dramatization of the reconciliation between father and daughter in an empty theatre, full of psychic hurts and perverse angers.

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship.

在影片《母狗》中费雷里描绘了一个女人如何接近一位连环画画家。画家生活在一个孤岛上，正在画无产阶级的第一个英雄斯巴达克思的连环画。这个女人由于能在这个男人面前扮演一个俯首贴耳的角色而得到满足。她给自己套上了一个狗项圈，跪在他面前，舔他的手。费雷里不是以此来美化大男子主义，而更多的是为了谴责资本主义社会男女之间的病态关系；但这里也应责备费雷里的两重性、他的玩世不恭和过多的滑稽效果。也许那个生活在孤岛上无所作为的画家正是费雷里自己的写照，因为费雷里不满他的生活和工作：“我试图在这个制度里拍摄影片，而且是拍摄我想拍的影片。我本应该是幸福的；但我并不幸福，因为我相信我的影片是没有用的。我从来不抱幻想，我知道只有少数人看我的影片，而且即使看了，又会起什么作用？这些影片只会使人不安。但这是不够的，而且也没有什么意思。"