Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, The Dutchman, is out to get both gold and revenge from certain people in a small mining town who had him imprisoned unjustly. The other, McBain, is just trying to go straight, but that is easier said than done once The Dutchman involves him in his gold theft scheme. Based on the 1949 novel The Asphalt Jungle by W. R. Burnett, the story is given an 1898 setting. It is the second film adaptation of the novel following 1950's noir classic The Asphalt Jungle.

Towards the end of the American Civil War, a rebel captain flees to Colorado to join a band of Southern mercenaries. He drags an innocent gold prospecting couple into trouble when the husband is accused of a murder he committed.

Sophia Loren stars as Phaedra, a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold stature of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector (Clifton Webb), but Phaedra wants to give it to anthropologist Jim Calder (Alan Ladd), who would return it to the Greek government.

On Chicago's South Side reporter Ed Ames finds the body of a dead girl. Her address book leads to a host of names of men frightened by her death but claiming never to have known her. Ames comes to know quite a lot, dangerously so.

George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures. The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s. But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way. The high cheese factor is aided by the good-time cast: Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl. One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star. Elmer Bernstein's swaggering score helps goose the action along.

A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.

二战时期的中国，珍珠港事件前夕，美国投机商人钟斯和合伙人强尼与侵华日军做着油料生意，他虽有些愤世嫉俗，但对华人的苦难却又漠不关心，当钟斯目睹了侵华日军的残暴，他逐步的改变了自己的立场...

Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Neale and Pedro fly cargo between Chungking and Calcutta. When their buddy Bill is murdered they investigate. Neale meets Bill's fiancée Virginia and becomes suspicious of a deeper plot while also falling for her charms.

1953 film directed by George Stevens

Hit man Philip Raven, who's kind to children and cats, kills a blackmailer and is paid off by traitor Willard Gates in "hot" money. Meanwhile, pert entertainer Ellen Graham, girlfriend of police Lieut. Crane (who's after Raven) is enlisted by a Senate committee to help investigate Gates. Raven, seeking Gates for revenge, meets Ellen on the train; their relationship gradually evolves from that of killer and potential victim to an uneasy alliance against a common enemy.

Soon after a veteran returns from war, his cheating wife is found dead. He evades police in an attempt to find the real murderer.