Elder sister, Spring, seeks her origins before heading to university, Autumn, the mother, grapples with conceiving a child through artificial insemination, Summer, the younger brother, tries to engage with a paternal figure he barely knows just before his military service, and Winter, the father, desperately tries to change his fate as problems mount up.
As Jun waits leisurely to enlist in the army, everything starts to go sloppy after two lines appear on his girlfriend’s pregnancy test. Jun, who lost his father as a child, is at a loss because of his sudden “fatherhood”. Meanwhile, his mother Jia-ling gives Jun a golden watch, a relic from his father. Looking at the oldfashioned watch, Jun wonders if he can become a reliable man.
As they are going to visit their former teacher, Micky, who is seriously ill, three men who were buddies back in their high school years are reunited. Moreover, they go back to the old cram school, reminiscing about their rebellious youth. In the 1990s, that cram school was known for its strict rules and the trio, who loved making trouble, had given the director a big headache until Micky arrived as a new teacher. He not only tamed the boys but became a good friend to them. Micky often talked about romantic relationships and sexuality to the students and made documentaries to speak up for the gay community. It is because of him that the students got to understand the homosexual or even themselves.
A Dutch photographer (played by David Verbeek himself – also a talented photographer in real life) takes a picture of a girl in a parking lot in nighttime Taipei as she plays with her kite. The photo transports us into her life. She is eight years old and is about to lose her best friend, a boy from a wealthy family who is moving to America. Back in the Netherlands, the photographer is confronted with his own constant loneliness. The photo of the girl evokes memories of his own childhood, when he still felt at home somewhere.