1957 film directed by J. A. Holman

1956 film directed by Karl Georg Külb

Young Olga Ahrendt almost succeeded in attempting suicide. She had thrown herself in front of a tram out of desperation about her miserable life, a desperation she shared with many in the post-war period. Fortunately, Privy Councillor Sauerbruch is at the scene of the incident, ordering her to be admitted to his clinic after a brief examination. Sauerbruch works both as a university lecturer and as a surgeon, a famous doctor who not only helps his patients physically but also gives them spiritual comfort. After he has taken Olga Ahrendt to his hospital, he discovers during an examination that her suicide attempt is due to a serious physical illness. He intensively takes care of her without forgetting about his other patients, to whom he can give a new will to live, even if only through a small story. And he will also treat Olga Ahrendt successfully...

1944 film by Miroslav Cikán

film

1958 film directed by Wolfgang Staudte

In this film, the people of a Tyrolean town climb up into the nearby mountains, searching for a place where they can hold a picnic and a spring festival: ideally, a place where they can eventually erect dwellings and cultivate crops. Led by the local nobleman (Arthur Ehrens), they find an appropriate spot, and the festivities begin. Some children briefly perform a charming folk dance. Suddenly the Rübezahl arrives and threatens to kill all the townsfolk if they don't leave immediately.

1955 film by Rudolf Schündler

The popular trapeze artist Cora is married to the respected doctor Frank Crippen. After a party at the Crippens' house, Cora suddenly disappears. Apparently, she traveled to Brazil alone overnight. However, a friend of the couple is skeptical and calls the police. While excavating the garden, Inspector Düwell makes a gruesome discovery: body parts. Meanwhile, the prime suspect, Dr. Crippen, has already gone into hiding...

Christian Kempenich, a pedantic law firm manager, attends a christening in Cologne, leading to a boozy night. He wakes up in a stranger’s bed and is accused of stealing bed linen from the hotel. Meanwhile, his wife Hedwig had her own fling and wants to keep it secret. When she learns of Christian’s predicament, she reveals her affair during a heated discussion. Realising their marriage is at risk, they decide to work on their relationship.

Heidelberg teenagers make jazz music.

Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.

1959 film by Géza von Cziffra

When a wife reads a love letter addressed to her husband, written by an unknown female, all hell breaks lose.

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.