Stine is now eleven and her life and world in a Copenhagen suburb's modern social housing is portrayed in episodes around her family, friends and school.

1997 film by Mette Knudsen

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Jens Christian er en strømlinet karrieredreng og nyudnævnt formand for Flygtningenævnet. Arbejdet er livets omdrejningspunkt og alt er godt, indtil en bortadopteret søn melder sin ankomst, og en usædvanlig vanskelig asylsag lander på skrivebordet. Pludselig er det ikke rigtige valg ikke soleklart for Jens Christian, der står splittet mellem forpligtelser og følelser.

Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.