Central Investigation Bureau officers enter the local underworld after a large quantity of marijuana goes missing from the Podhale police station.

After her wealthy husband leaves her with nothing, a high-society Warsaw snob is forced to use the only survival skills she has left — her sharp wit.

Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw's police, is released from prison where he was doing time for his brutality and murders. He is awaited by the New, his fellow-policeman. Franz tries to go straight starting hard work in a steel mill. Nevertheless, he must leave the factory as a criminal with an uncertain past when he doesn't join the strike organized by the workers' union. At the same time, a merciless war continues in former Yugoslavia. Wolf and William, two high rank officers, come to Poland in order to organize a network selling and smuggling arms to Yugoslavia by way of Albania. They seek experienced and loyal partners. Franz is not only amenable to the scheme, but he even draws his former partner into the deal. However, security agents are circling them like buzzards...

Franz Maurer is released after 25 years in prison and finds a completely changed Poland.

1995 film by Maciej Ślesicki

A member of a nationalist group in Warsaw begins a forbidden romance with a passionate, left-wing activist, leading to a series of surprising events.

"Psy" translates from Polish into dogs. The English title is "Pigs." Both titles are intended as slang references to the police. In 1990 a group of former Communist Security Service officers after a verification get hired by the police. Franciszek "Franz" Maruer is one of them. His friend, Olgier "Olo" Zwirski, is not. Franz leads a new group of cops from crime unit on an operation against an international crime group. The operation goes wrong when they're attacked by thugs, who - as Franz believes - are also old Security Service officers, like them. He doesn't know which side is Olo on yet. What is 'Dogs' about? 'About a dog's world, about the fact that freedom also engenders filth and stupidity while destroying ideals. Everything has been debased, sullied in mud, thrown into the cesspool,' wrote a reviewer. Such extreme critical reactions were elicited by the film's subject matter and its portrayal of the world as fundamentally castrated of positives and saturated with cynicism, moral dirt and cruelty. A world that is simultaneously hardly abstract, and in fact present in the here and now (i.e. in Poland in 1989), one that is additionally portrayed in an iconoclastic and provocative manner, derisive of all things sacred, be they related to nation or religion. Behind this façade of scoffing and anti-martyrological blasphemies, there was something more - a morality tale, a painful diagnosis of contemporary Poland. Was this 'cinema of immoral anxiety'? Opinions were divided. Only viewers succeeded in 'expressing themselves' clearly, demonstrating their fascination by lining up in front of the box office and rendering 'Dogs' a commercial hit. Polish cinema went through a relatively quick and much needed transition in the late 80s that mirrored political changes. As Poland became a democratic country the state let go of its monopoly of the film industry and censorship was lifted. This not only gave freedom to Polish movie making but also allowed foreign films to be screened. These new film policies were well received among new audiences who were too young to remember the solidarity movements and became tired of watching movies about it. In a new market economy for film audiences started to choose what they wanted to watch. This meant classic Polish films struggled to capture audiences as foreign Hollywood-like films gained popularity. As some feared the end of Polish cinema others saw it as a chance to catch up with the rest of Europe and the world. It is through the Americanization of a very Polish story that Pigs expresses controversial and previously restricted topics. Issues of political instability with a lack of a real national hero are raised. Inequalities and corruption in the state ranging from a social to personal level are also looked at. Finally large scale criminal activity is recognized as a reality, presented through taboo subtopics of violence, vulgar language and drugs. Polish Film Festival 1992 Won Best Actor Boguslaw Linda 1992 Won Best Director Wladyslaw Pasikowski 1992 Won Best Editing Zbigniew Nicinski Wanda Zeman 1992 Won Best Score Michal Lorenc 1992 Won Best Supporting Actress Agnieszka Jaskólka

充满黑色幽默、性爱嬉戏以及讽刺的社会教条 被称为是“未来主义派的”《所多玛120天》 介绍：改编自1930年的一部争议小说，是通过一个18岁的烦恼的男孩的眼睛去看待西方文明的瓦解过程。英俊的男孩继承了波兰的一个大酿酒厂，自己却是个空想主义者。他在两位求爱者的亲近过程中变得腐败堕落。分别是颓废的公主爱琳娜，她追求的是他的钱；另一个是疯狂的同性恋僧侣，看中的则是他的处子之身。背景设置在未来世界-遭受中国侵略的东欧，影片是一次疯狂的影象旅程，充满了黑色幽默、性爱嬉戏以及讽刺的社会经济学教条，被称为是“未来主义派的”《所多玛120天》。

Leon, the 40-year-old former soldier who is an alcoholic now, gets a job as a bodyguard. His duty is to take care of one of the Mafia leader's daughters. His problems begin when he falls in love with the 16-year-old girl.

2019 film directed by Władysław Pasikowski

If you've ever felt like your life sucks, or you're just having a bad day, then I would recommend watching the film, "Nothing Funny (Nic Smiesznego)." In comparison to this guy's life, you might not feel that things are so bad. The story is about a film director, told through personal reflections and a review of his own life. Although he's had brief moments of success, he understands that, in real life, he always comes in second, and this infuriates him. C. Pazura's role in "Nothing Funny" is nothing short of great acting; we see the man's deep sadness, reflected in his daydreams of a better life, and in his neurotic outbursts when his life overwhelms him. Our director is always looking for his "Malgorzata," his true love. He doesn't know what she looks like, only that he has loved her his entire life. This, of course, is a reference to Bulhakow's novel, "Mistrz i Malgorzata" (Master and Margaret), about a man who, while visiting a park, meets the true love of his life. The director's marriage is a disaster, and he constantly dreams of meeting his own "Malgorzata." The viewer gets inside the man's depressing and disturbing life, in the disasters on his film set, in his social life, and with the ladies he seeks out for relief. I can relate with his life on some levels, as who hasn't had a miserable day? I highly enjoyed this sad, but also very funny film.

1987 film by Waldemar Podgórski

1994 film by Krzysztof Kieślowski