The well off daughter of a tenor breaks up a romance with a helpful youth from a misunderstanding. But she continues to cover him with his gambling debts despite her delicate health.

Black comedy about a lucrative business. Grandmother, mother and daughter live together in a love-hate-relationship and run their business with divided responsibilities: via marriage ads they are looking for candidates. It’s the daughter that gets dressed and styled according to the new mission: no matter if vamp or tree-hugger she twists the men around her little finger until they clear their accounts from all the savings. The money ends up in coffee tins stored in grandma’s fridge. But where do the men end up when they discover the secret of the trio?

A biographical film of Otto von Bismarck, the Prime Minister of Prussia, and how he and his policies - including aggressive war - helped to unite Germany.

At the Paris Theater, an uncommonly engrossing and wise new German movie, "A Free Woman," records the losing battle a divorced woman in her thirties fights in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women. This attractive, capable young woman, needing love and encouragement, determinedly sidesteps her former slot of housewife, studies voice and dance, takes on subordinate jobs and painfully maneuvers with her former husband (a cold fish who shrewdly remarries) for child custody. All this is quietly and beautifully projected by an unobtrusive camera and stunningly personified by the feeling, low-key performance of Margarethe von Trotta in the central role. The blond star also happens to be the wife of the gifted director, Volker Schlondorff, as well as his co-screen writer. They and the other performers and contributors have forged a fine, thoughtful and stimulating film that observantly mirrors a human condition, the traditional subordination of women with truthful, biting irony. It would be hard to find a more persuasive and appealing proponent of feminism than Mrs. Schlondorff.

1885年，为了组织歌剧音乐节，依拉明格小镇邀请了一位有名的歌手，玛格达莱娜·戴尔奥托女士。她不仅会为当地歌剧节献唱，还会在教堂表演巴赫的马太受难曲中的一部分。玛格达莱娜·戴尔奥托女士受到依拉明格委员会，包括王子本人的热烈欢迎。不久后玛格达莱娜和她同行的朋友罗尔莫泽，都表示自己是土生土长的德国人。事实上，真名为玛格达·施瓦兹的玛格达莱娜，不仅是依拉明格人，而且几年前愤怒地离家出走…… （豆瓣电影字幕翻译2.0小组）