Seif Abdelrahman — Actor (7)

Movie

A Woman Shook the Throne of Egypt (1995)
امرأة هزت عرش مصر WikiData IMDb TMDB
other title: امرأة هزت عرش مصر
King Farouk finds himself enraged to carry out the British orders to appoint Mustafa El-Nahas as head of the ministry. During his journey to Qassas, he gets injured in a collision. He learns about the doctor Yusuf Rashad and his wife Noha. He admires women and follows her to work in the palace as a writer. , Especially after the husband is commissioned to form the Iron Guard, through which is discovered both the officer Istahter Mustafa Kemal and officer Anwar Sadat. Noha is separated from her husband and expelled by the king. She becomes a mistress for Mustafa Kemal. Calling for standing against the king, and working to form a secret cell with the Free Officers who help them to save the revolution from the dangers.

Movie

Dawn of a New Day (1964)
فجر يوم جديد WikiData IMDb TMDB
other title: L'aube d'un jour nouveau / فجر يوم جديد …
The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

Movie

Mercedes (1993)
مرسيدس WikiData IMDb TMDB
other title: 莫西迪斯 / مرسيدس …
Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

Movie

The Choice (1971)
الاختيار WikiData IMDb TMDB
other title: 선택 / الاختيار …
When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

Movie

Date Wine (1998)
عرق البلح WikiData IMDb TMDB
Radwan El Kashef actor: Sherihan / Abla Kamel …
other title: La Sueur des palmiers / عرق البلح …
Set in a mythical small Upper-Egyptian village where people live off planting dates and making of Date Wine, a stranger arrives and calls on people to travel to the abroad for job opportunities, all of the village's grown-up men leave, except for the disabled grandfather and his grandson Ahmed, upon which trouble begins to spread in the village in the absence of men along with his lover Salma. Exploring themes of Rebellion, Desire, Masculinity, Patriarchy, Spirituality and the Ancient Egyptian Mystique.

Movie

Al-asfour (1972)
Al-asfour Douban
尤瑟夫·夏因 actor: Mahmoud El-Meliguy / Mariam Fakhr Eddine …
other title: 埃及六日 / The Sparrow
One of his most controversial films, THE SPARROW was written by Chahine in collaboration with avant-gardist Lofti el-Kholi. Set during the 1967 Six Day War between Israel and the United Arab Republic this story of familial and national divisions has become one of Chahine's most popular films in festivals and retrospectives. A young policeman's adoptive father occupies a high post in the force, while his biological father is reputed to have been a left-wing activist. Raouf begins to search for those who might have known his real father, while his half-brother, stationed on the Sinai front, prepares for battle. The Sparrow (El ‘Osfour) was banned in May 1973, then received in December of the same year the country’s highest cultural award. More importantly, however, is that starting from The Sparrow (El ‘Osfour), Chahine departed from the conventional mainstream cinema of his time and developed his own individual style, hence emerging as a pioneer in this respect; instead of using a linear plot, he displayed a new liking for fragmented forms, discontinuous narratives, and random-seeming collages of disparate material such as flashbacks, actual events, associations and documentary sequences. The overall result of these shifts was the inception of a new phase in his films which was dedicated to experimentation and innovation.