1969 film by Ole Roos

Muriel, a writer nearing 50 whose older lover won't live with her in Paris, meets a man on a train - Samuel, an Arab. He's attracted to her and pursues her, dropping in, asserting himself. She's willing to connect. He's passionate, then boorish, then jealous and possessive. He seems fixed on "Who's the strongest?," while she wants respect and trust. She's self-possessed as well as sexually charged, willing to laugh, and alternately firm and forgiving. He has little money, no immigration papers, few prospects, and a gambling jag. What does each want, and why does she stick with it? Is this colonial strife, war between the sexes, or a love story?

In Stockholm, Fanny Hill is tired of being a housewife, and she suspects that her husband Roger, a TV-commercial director who's surrounded by starlets, is cheating on her. So, she sets a trap for him with her friend Monica, files for divorce, and heads to Hollywood, with Monica, to meet film stars. She falls into a film career, with lots of nude scenes, and as it takes her from L.A. to Hong Kong and Venice, Roger follows her, jealous, hoping to win her back. In every city, she acts and she seduces, making comedy out of both; but does her heart still belong to Roger? It's on to Munich to find out.

Lieutenants Adam and Ditlev dream of being accepted into the Guard Hussar Regiment, and Captain von Rabenberg puts the two rivals to the test.