1919 American film directed by David Kirkland

A jewel thief and a con artist are rivals in the theft of a valuable diamond and gem necklace in Bombay and as the Japanese Army invades China.

D.W. Griffith short intercuts two different stories before mixing them together at the end. The film focuses on a telephone girl who leaves work for her lunch break at the same time as "The Lady" goes to a jewelry store to pick up some priceless jewels. When the telephone girl returns to work she gets a phone call from the house of "The Lady" as a robber has broken in and is trying to steal the jewels.

A Fort Wayne, Indiana housewife (Alice Brady) drags her husband (Guy Kibbee) and daughter (Betty Furness) to Europe for culture.

A flirtatious young woman takes a job in a busy office, where her presence is terribly disruptive. None of the men in the office can concentrate on their jobs while her charms are on display. Of course, she sets her eye on the one man who seems oblivious to her.

When the double wedding takes two daughters away from the old man at once, the youngest, now the only one left, in outraged spirit promises never to leave her father, but soon she too is departing for a new home. Then comes a cold hard fact of life. The son-in-law claims his right to make a home alone for his wife. In his bitterness and anger, the father denies them both the house. Several years later the lonely old man meets at the gate a babe in arms. When he learns whose baby it is, heart hunger craves another sight, and sought, brings with it the only natural result.

After neglecting her studies in favor of romantic experiments, Babs Hardcastle is thrown out of boarding school. In hopes of ceasing her romance studies, Babs’s father sends her to Boston to stay with her aunt. Boston, however, proves to be the perfect place for Babs’s matchmaking. When Babs falls in love with Jim Winthrop, she learns that he must find suitable men for his two sisters, Dorcas and Matilda, and his elderly aunt Cornelia, before he can marry. Babs, determined to marry Jim, takes it upon herself to find them all husbands.

A young woman must resist the charms of a handsome stranger and stay single if she wants to inherit a fortune.

In an attempt to brand himself as a serious actor, the smiling swashbuckler Douglas Fairbanks starred in THE HALF-BREED (1916), a Western melodrama written by Anita Loos and directed with flair by Allan Dwan. Fairbanks stars as Lo Dorman, who has been ostracized from society because of this mixed ethnicity - his Native American mother was abandoned by his white father. When Lo catches the eye of the rich white debutante Nellie (Jewel Carmen), he becomes a target for the racist Sheriff Dunn (Sam De Grasse), who wants to break them up and take Nelli for his own. This love triangle becomes a quadrangle with the arrival of Teresa (Alma Rubens), who is on the run from the law. Through fire and fury Lo must decide who and what he truly loves.

A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.

A horse breeder's granddaughter falls in love with a gambler in Saratoga Springs, N.Y.

While on trial for her life, a young woman recalls her tough upbringing and her involvement with the men who brought her to this current state of affairs.

A flighty socialite neglects her family to promote a new religious group.

A young wife and her musician husband live in poverty in a New York City tenement with an ailing grandmother. The husband leaves to sell his violin to provide for his wife and grandmother. On his return, he is robbed by a neighborhood gangster. Sometime later in a dance hall, the same gangster gets in an argument with a rival gangster over the musician's wife. the argument foments into a shoot out in Pig Alley. The husband happens upon the melee, recognizing the crook who robbed him. Can the husband retrieve his money?