僧人宗朝（きたばやしけん 饰）步履匆匆行走在白雪覆盖的飞騨山中，他正前往山另一边的信州。山路湿滑，天色将晚，宗朝艰难行进，几欲迷路。最终，这名疲惫不堪的僧人来到一座宅院门口，请求借宿。这里生活着一个老人、年轻的白痴、年轻的女主人以及一群动物。女主人美丽脱俗，肌肤如雪，她完美无瑕的躯体甚至让狂躁的惊马也安静下来。她引领宗朝来到温泉沐浴，并色诱这名惶恐的僧人。宗朝紧定心性，虔诚诵经。是夜，宗朝所住房间的隔壁传来动物的鸣叫和女人的呻吟声。那些动物竟然在夜晚变成精力旺盛的男人，他们纷纷赶来和女子共享枕席之欢…… 本片根据泉镜花同名中篇小说改编，影片拍摄完毕后导演武智铁二拒绝映伦审查，因此《高野圣》未在日本上映，只在美国关岛供日本游客观赏。

Ayame, a courtesan, attracts the attention of street vendor Kisuke and decides to run away with him to America. Unfortunately, a crazed tattoo artist is obsessed with Ayame's perfect skin as a potential canvas, so he kills Kisuke to keep Ayame in Japan. Later, Ayame is sold to a brothel in Yokohama. Kisuke's ghost possesses her, causing his image to appear tattoo-like on her skin whenever she has sex.

女人是什么？嫉妒和博爱的综合体，美丽和恐怖的双生儿化身。男人绞尽脑汁仍无法参透这些与自己相伴几千年的尤物。他们因此害怕，却又对之无法抗拒，个中心理，怪哉怪哉。 导演武智铁二和小林悟走访日本各个角落，拍摄从事各种职业的女性，包括：能乐舞者、游乐会拳击手、酒女、抛头露面表演的僧尼、色情杂志模特、女扮男装的剑戟师、男扮女装的异装癖、艺妓、夜总会舞者、盲人按摩师、吸毒者、普通手工业者……影片并未深入探讨女性和男性纠缠不清的莫测关系，只是通过白描的手法和戏谑的讲解向观者展示了一幅现代女性和社会的风情画。

Made after Takechi had won an obscenity trial over Black Snow (1965), the film has been called "Takechi's personal message to Eirin."

战后的日本，千疮百孔。失去双亲的小野年子（路加奈子 饰）来至京都投靠伯母，为了答谢伯母的收留，她从黑市购买了礼品答谢，却因此招致美国大兵的侮辱和强暴。伤痛欲绝的年子无颜再回伯母家，只得暂时栖身友人处。但是厄运从未离她而去，先是在街上被当作流莺抓走，继而诊断出患有性病强制治疗，接连的挫折和打击最终使年子堕落为站街女。 身心遭受巨创，年子开始有意识地追寻自己的幸福。她玩弄美国人的感情，试图在这乱世某得一席之地…… 本片根据小野年子和五岛勉同名原作改编。

身穿和服的美丽女子锦户坂江（雾浪千寿 饰）正在寻找牙科医生，骑着摩托的青年田之边慎吉（远水健二 饰）为坂江指明路线，并载着她前往医院。 牙科医生叶室千枝子（爱染恭子 饰）是一个妖艳非常的女人，她为坂江注射麻药后，脱去白大褂，现出性感妖冶面目。坂江在半睡半醒中，进行了一段鬼魅而怪异的奇幻旅程。 本片根据日本官能小说家谷崎潤一郎的同名原著改编，是武智铁二“白日梦”系列的第二部。

英俊的日本青年崎山次郎（花ノ本寿 饰）沉默寡言，内心藏着莫大的羞耻感。他的母亲弥须（村田知栄子 饰）在美军横田基地附近经营一家妓院，阿姨由美（水町圭子 饰）则成为某美军高官的情妇，且以此为炫耀的资本。次郎每日里与妓女们作伴，见证着她们的痛苦，也见证了她们的堕落。在这混乱的环境里，只有一个名叫静江（紅千登世 饰）的女孩深深吸引着次郎的注意力。 某晚，次郎的朋友——自称共产党员的男子黑濑（沢律生 饰）怂恿次郎刺杀日常出入妓院的黑人军曹，为耻辱感所驱的次郎将刀刺向黑人胸口，由此也彻底改变了他的命运……

Tetsuji Takechi's third film is based on two short stories by Jun'ichirō Tanizaki. The film depicts the lurid and violently erotic dreams of a writer, his wife and his sister, after having spent a night out drinking and visiting sex shows. It underwent extensive censorship before the government would allow it to be released. About 20% of the film's original content was cut and this footage is now considered lost.

Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.