Relata el hallazgo de la Reina Roja el 1 de junio de 1994 y los nuevos descubrimientos sobre la historia dinástica de la sociedad palencana. La Reina Roja tuvo un alto estatus y debió desempeñar un papel fundamental dentro del linaje real, por el hecho de haber sido inhumada en un complejo próximo al Templo de las Inscripciones donde se encontró la tumba del rey Pakal. Fue amortajada con cinabrio, un mineral rojo y pesado compuesto por mercurio, de ahí su nombre. Se presume que era una mujer de entre 40 y 45 años, de un metro y medio de altura, aquejada de osteoporosis.

Jacqueline (Bonilla) and Nicolas (Echanove) are so in love that they decide to get married "until death takes them apart". When love dies and infidelity takes its place, Jacqueline decides there's no time to fulfill the promise of their votes. She begins to plot her husband's murder, but destiny is committed to surprise her in many ways.

A lonely, aging postal worker finds himself the victim of a cruel practical joke in this pessimistic Mexican drama. The trouble begins when crotchety postman Andre begins complaining about his young neighbor Marianna's propensity for playing loud music every time she entertains a lover. To get back at him, Marianna begins sending him anonymous love letters. The old man is intrigued by the mysterious letters and hires a cheap detective to find their author. The detective is convinced the perpetrator is Teresita, a veteran hooker who joins in on the scheme to earn a little extra cash. Andre's friend and colleague tries to warn Andre that it is all a game, but his friend is in love and will not listen. Meanwhile, Marianna attempts to woo Luis Felipe, a hard, unfeeling tabloid journalist who has her take grisly pictures of murder victims for him. Both Marianna and Andre are destined to meet an unpleasant fate at the story's end.

The space will be witness of dreams, hopes, disappointments and dramatic destinies of its residents, delivering an intimate human history of Mexico through the decades. La Habitación will reunite eight directors that will expose the reality of each historical period resulting in a profound and inspiring portrait of modern Mexico.

When a young girl from a wealthy Mexico City family disappears, a man arrives to discuss the girl's return, asking for the confession of a family member that has committed a terrible act. One by one, confession by confession, the intruder exposes each member of the family, revealing their deepest and most shocking secrets.

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

A Great and Complex Romance About Love, Ignorance, Corruption and Intolerance. In 1928, in a revolutionary Mexico, in the small village of Progreso nearby the harbor in the district of Yucatan, Eliseo (Daniel Acuna) is the son of a violent stevedore, who is one of the founders of the local Union. The boy has a sister, mother and two friends, and is not a good student. He frequently lies, specially to avoid the physical aggressions of his father. His teacher Felipa (Blanca Guerra) decides to help him to assume responsibilities and asks him to clean her house daily before going to school. Felipa is in love with a sailor. One day, Eliseo arrives wounded due to the beating of his father and stays at her house in the night. The solitude approaches them and the boy has an intercourse with her, becoming the favorite student of Felipa. Their affair ends when her beloved sailor is found drowned and Felipa moves from Progreso. The main story continues in 1937, when Eliseo is a married young man, and Felipa returns to Progreso. This film is excellent, having a screenplay with many characters, all of them very well defined for the viewer, and many plots and sub-plots. This romance is about love, ignorance, corruption and intolerance. The direction is superb and the actors and actresses have a magnificent performance in this very credible story. Carlos Carrera directed this Mexican drama that begins in 1928 when 13-year-old longshoreman's son Eliseo (Daniel Acuna) dreams of leaving the southeastern port of Progreso like his sister Magda (who escapes with charismatic circus acrobat Roy). Eliseo loses his virginity to his schoolteacher Felipa (Blanca Guerra), but she becomes the target of accusations and is driven out of town. Eliseo then becomes a twosome with Lupita, daughter of his father's boss. The story flashes forward to 1937, when the adult Eliseo (Mario Zaragoza) has married Lupita. After Felipa returns to the town to build a school, she and Eliseo once again become intimate, and problems erupt. Full symphonic score by Cuban composer José Maria Vitier. Shown at the 1998 Toronto film Festival and in competition at the 1998 San Sebastian Film Festival.

Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.

In a subway station, a man watches a girl acting strange.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.