“Nobody and no place is real forever”, wrote Goliarda Sapienza in Le certezze del dubbio. The story sees a writer ending up in prison following a crazy and unexpected act. While incarcerated, she meets a few young prisoners which leads to a kind of rebirth. Following her release, during a torrid Roman summer where time seems to stand still, the writer continues to meet up with the women she’d forged close relationships with and who have also been set free. A profound relationship begins which has a decisive effect on her life; a genuine bond which no-one on the outside could ever understand. This writer is Goliarda Sapienza, and this is her story, as she herself told it.

In Rome, during a January weekend a sudden heatwave arrives. The sun is initially pleasant, but the heat quickly escalates to a frightening degree, resulting in people and animals losing self-control.

Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.

Paul Reubens stars as Pee-wee Herman in his second full-length film about a farmer who joins the circus after a storm drops a big tent in his front yard. Pee-wee, along with an outlandish cast of animals and circus performers, puts on the best show ever.

Young Giovanna navigates her passage from childhood into adolescence as she experiences the different sides of Naples during the 1990s. A girl in search of her true reflection in a divided Naples: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity.

2004 film by Frédéric Berthe

A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.

Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.

Bravissimo!!! Grazie Dio per "Cinema Italian Style." This film was arduous to view and you could feel everyone in the theater squirming in their seats. Brilliant intelligent film that demands you ask questions of yourself, your friends, society, the world and everything you thought to be true. It does not matter what country you are from because we are all a mess. Life is a messy affair, families are messy, this story is about the ultimate mess that we create. The monster is made at home in the kitchen. This movie only asks questions, it gives no solutions or answers, I'm certain it will never be released in the U.S... This film is so complex on so many levels that it is impossible to make the typical trivial comments. The passion, perceptions and intellect of everyone involved in the making of this movie is evident from the first frame. See it if you still believe film is an art form.

41岁的冯思瓦看似是寻常的中年男子，内心却住着一个过度关注自己、极度害怕孤单的爆走灵魂，时时游走在崩溃边缘。一次情绪失控，冯思瓦误伤了挚爱伴侣安娜，被送进精神疗养院接受治疗。出院后，冯思瓦积极修复和安娜的关係，希望能再次牵起她的手，和孩子们重拾往日生活。然而安娜对冯思瓦 心灰意冷，不想再和他有所牵扯，频频让他吃闭门羹。为了讨好安娜，冯思瓦甚至涉险攀爬窗簷，家人只好再次将他送进精神疗养院。但这次冯思瓦不想轻言放弃，他要证明自己并非疯子，于是趁机逃院往安娜飞奔。为爱疯狂的冯思瓦，最终能否再次掳获安娜的芳心？

A cop goes up against his lifelong friend, who has become one of the city's biggest drug traffickers.

Pogue is a private eye with a problem: every morning when he wakes up, he has total amnesia, waking up with a 'blank slate'. Since he is in the middle of a hot investigation and has a developing romance, this is less than convenient.

Monsieur Sim n’a aucun intérêt. C’est du moins ce qu’il pense de lui-même. Sa femme l’a quitté, son boulot l’a quitté et lorsqu’il part voir son père au fin fond de l’Italie, celui-ci ne prend même pas le temps de déjeuner avec lui. C'est alors qu'il reçoit une proposition inattendue : traverser la France pour vendre des brosses à dents qui vont "révolutionner l'hygiène bucco-dentaire". Il en profite pour revoir les visages de son enfance, son premier amour, ainsi que sa fille et faire d’étonnantes découvertes qui vont le révéler à lui-même.

佩皮昂是卡莫拉的一名退休职业杀手，现在他已经把工作和技巧完全传授 给了唯一的儿子尼诺。但是，当尼诺被残忍地暗杀之后，这位老人又重操 故业，开始了他的复仇之路。他一直深爱丽塔，好友托托长期追随他。他 将不惜一切代价复仇，即使这意味着令卡莫拉翻天覆地。改编自伊戈尔· 图维自己的漫画创作，采用章回体的叙事方式，延续《狄克·特雷西》和《罪 恶之城》的传统，入选威尼斯电影节威尼斯日单元。

少女时期不幸失明的整骨师艾玛活得积极独立，社交圈不大但充满温暖。刚结束婚姻的她，依然每天拄着手杖满城趴趴走，不让生活跟视力一样滑入黑暗。一天，她在漆黑的感官博物馆，邂逅了帅气广告人泰欧。泰欧是事业摆第一的情场玩家，内有女友外有床伴，从未真的对谁敞开心房。艾玛的出现，迅速触碰到泰欧的情感核心。然而现实与人性，才是等在后头的艰难考验。两个迥异的个体，一场见与不见的激情。情爱的摸索之道，谁，才是真正的明眼人？ 激情过后，谁才是真正的明眼人？

Paolo is an outgoing and handsome real estate broker married to Simona, a beautiful woman from the rough outskirts of Rome who has become an author of spicy bestsellers and is pregnant with their child. Betta, Paolo’s sister and her husband Sandro organise a dinner party with Paolo, Simona and their childhood friend, the eccentric musician Claudio. During the lively gathering Paolo reveals what he would like to name his son, causing reactions to steam up and a torrent of revelations to follow reaching climactic proportions.

2002 TV miniseries directed by Uli Edel

Three sisters, played by Fanny Ardant, Greta Scacchi and Valeria Golino, struggle with their illusions, goals and desires in Margarethe von Trotta’s film adaptation of Anton Chekhov’s play.

In 1840, a young Russian aristocrat, Dimitri Sanin, is returning home after a long tour of Europe. In Germany, he falls in love with a beautiful pastry shop girl, Gemma Rosselli, who soon starts sharing his feelings. They decide to get married and, in order to finance the wedding, Dimitri goes back to Russia to sell his family estate. Unfortunately he falls prey to a seductress, Princess Maria Nikolaevna, who pretends to be willing to buy his land to come nearer him. Now Sanin is in a fix: should he choose the pure Gemma or the evil but irresistible Maria?