"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

A family that films, records and photographs daily life. Ainhoa, the youngest daughter, decides to start writing what she doesn’t want to tell anyone during her adolescence. In her diaries, which she preserves until her death, there are many experiences, stories and letters related to the experience of women. Ainhoa writes, films and she also represents herself. Ainhoa is an essay on women’s writings. An alternative chronicle to the official Spanish history of the 90’s, told from an intimate point of view and based on a real testimony.