Joshua Homme — Actor (4)

Movie

Cure for Pain: The Mark Sandman Story (2011)
Cure for Pain: The Mark Sandman Story IMDb TMDB
Gatling Pictures' "Cure for Pain: The Mark Sandman Story" examines the life and work of Mark Sandman, deceased frontman of Boston "low rock" band Morphine. From his Newton, Mass., roots to his travels across America and around the globe, Sandman left an indelible imprint as one of the most distinctive musicians of his generation. Along with revisiting the "unique and sultry sound" of his music, the film explores the meaning of family through this critically praised and personally conflicted singer, songwriter and innovative instrumentalist.

Movie

Iggy Pop - Post Pop Depression: Live at the Royal Albert Hall (2016)
Iggy Pop - Post Pop Depression: Live at the Royal Albert Hall IMDb TMDB
other title: Iggy Pop: Post Pop Depression: Live at The Royal Albert Hall
Iggy Pop's Post Pop Depression album, a collaboration with co-writer and producer Joshua Homme from Queens Of The Stone Age, is his most critically acclaimed and commercially successful album for many years. On May 13, 2016, Iggy Pop brought his Post Pop Depression live show to London's revered Royal Albert Hall and almost tore the roof off! With a backing band including Joshua Homme and Dean Fertita from Queens Of The Stone Age and Matt Helders from the Arctic Monkeys, Iggy delivered a set focused almost entirely on the new album plus his two classic David Bowie collaboration albums from 1977, The Idiot and Lust For Life. Fans and critics alike raved about the performance and this will definitely be remembered as one of Iggy Pop's finest concerts.

Movie

Queens of the Stone Age: Alive in the Catacombs (2025)
Queens of the Stone Age: Alive in the Catacombs IMDb TMDB
Filmed and recorded in July 2024, Queens of the Stone Age: Alive in the Catacombs captures QOTSA as you’ve never seen or heard them before. This utterly unique once in a lifetime experience features a carefully selected setlist spanning the QOTSA catalog, each song chosen and epically reimagined for the Catacombs. The result is an unprecedented incarnation of QOTSA at their most intimate, yet surrounded by literally millions of human remains — “the biggest audience we’ve ever played for,” says Joshua Homme. Every aesthetic decision, every choice of song, every configuration of instruments… absolutely everything was planned and played with deference to the Catacombs—from the acoustics and ambient sounds — dripping water, echoes and natural resonance — to the darkly atmospheric lighting tones that enhance the music.