They were four friends in heart and soul. Blood Brothers that were that were bound together by their army experience. They were good people and decent citizens. They had love, careers, hopes, a future - but they wanted more. And they wanted to commit the perfect crime...

Israeli television thriller drama series

以色列系列剧以一声巨响开始，爆炸将观众抛向三名嫌疑犯的生命，据信这三名嫌疑犯在开演当天炸毁了一条以色列-土耳其石油管道。这起袭击在最高的政治层面上产生了后果，但同时也使该系列的主角及其家人的生活陷入了混乱。 The Israeli series starts with a bang, with an explosion catapulting the audience into the lives of three suspects believed to have blown up an Israeli-Turkish oil pipeline on the day it opened. The attack has consequences at the highest political levels, but it also sends the lives of the series’ protagonists and their families into a tailspin.

生活在以色列的巴勒斯坦男子萨拉赫不幸失去幼子奥马尔，按习俗要带子回乡安葬。天气炎热，萨拉赫为了能尽快回乡，决定用一只行李袋包裹幼子穿越边境。然而巴以边境正在实施严格的军事管制，他的旅途因此变得异常艰难。米莉是一位怀孕的单身女性，在商场工作时遇到了萨拉赫。了解这位父亲的困难后，米莉决定尽其所能地帮助他。在这场短暂却温柔的公路旅程中，两个孤独的灵魂成为了彼此的伙伴。本片男主演卡伊斯·纳塞夫曾凭借《特拉维夫在燃烧》获得2018年威尼斯电影节地平线单元最佳男演员奖。

A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov). Actors are doing a great job under Kosashvili's direction, and one can find similarities between him and Kusturica.