Performed in the actual Roman settings described in the libretto. Moreover, the scenes take place at the appropriate times of day. Rome, June 1800. Floria Tosca is a celebrated opera singer, better known as La Tosca. Her lover is Mario Cavaradossi, a young artist and Bomapartist sympathizer. When the latter helps Angelotti, the leader of the opposition, to escape from prison and hides him in La Tosca's home, he antagonizes Baron Scarpia, the ruthless chief of police, all the more as his love for Tosca is unrequited.

This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.

Puccini's Il Tabarro & Leoncavallo's Pagliacci; Pavarotti and Domingo star in MET 1994-1995 season opener.

深受巴黎上流社会追捧的歌妓维奥莱塔组织了一场盛大的宴会，年轻的阿尔弗雷多-热尔蒙等人也参加了宴会。他向已经患上肺痨的维奥莱塔表白。她在真挚的感情和对自己作为 "堕落女人 "的处境的现实评估之间摇摆不定，这种处境使她无法与男人保持长久的关系。维利-戴克制作的《茶花女》，2005 年 8 月在萨尔茨堡音乐节现场录制。安娜-内特雷布科（Anna Netrebko）饰演维奥莱塔-瓦莱里，罗兰多-维拉松（Rolando Villazón）饰演阿尔弗雷多-热尔蒙，托马斯-汉普森（Thomas Hampson）饰演乔治-热尔蒙。Carlo Rizzi 指挥维也纳爱乐乐团。

James Morris leads an all-star cast including Karita Mattila, Ben Heppner, Thomas Allen and René Pape, in this production of Wagner's comic opera, recorded live at New York's Metropolitan Opera in 2001. James Levine conducts.

La production magnifique et évocatrice d'Otto Schenk/Günther Schneider-Siemssen se poursuit avec ce deuxième opéra du cycle Ring de Wagner. Hildegard Behrens apporte une profonde empathie à Brünnhilde, la fille préférée du dieu Wotan (James Morris) qui pourtant le défie. La représentation de Wotan par Morris est à juste titre légendaire, tout comme Christa Ludwig, dans le rôle de Fricka. Jessye Norman et Gary Lakes sont Sieglinde et Siegmund, et Kurt Moll est le menaçant Hunding. James Levine et l'orchestre du Met offrent des couleurs et un drame étonnants.

本剧系根据众所熟知的《灰姑娘》的故事修饰而成。被称为灰姑娘的安杰林娜，在家里实际是她的养父马尼菲科和他的两个女儿——蒂斯贝和克洛林达的奴隶；这两位小姐既吝啬又自私。有天她们赶走了一位乞丐，却被好心肠的安杰林娜叫回，施舍一些食物和饮料。这乞丐叫阿利多罗，乃王子拉米罗的师傅，这次出门是替王子私下寻找一位合适的新娘。 阿利多罗的报告对安杰林娜极有利，于是王子装成仆从模样，亲自来访。他与安杰林娜相见恨晚，互相倾慕。同时，他的仆人丹迪尼则穿着王子的服装，接受安杰林娜的两位姐妹的奉承。 宫廷宣布举行舞会，是为王子选择一位漂亮而贤慧的夫人。克洛林达和蒂斯贝两姐妹穿着华丽的衣裳赴会，但是她们的父亲不让安杰林娜前往参加。阿利多罗及时赶到，并准备好给她的衣着、饰物，于是她也盛装赴会。但是她并未注意假装王子的丹迪尼，她仍未忘却那乔装成仆从的拉米罗。临别时，她给拉米罗一对手镯中的一个，自己留下另外一个，以便来日相会时对认。 不久之后，拉米罗在安杰林娜养父家里找到了她，这回他显示了自己的身份，并宣布安杰林娜将作为他的皇后。愤怒的两姐妹和她们受辱的父亲，只好连声告饶不迭。

1830年代，法国，巴黎拉丁区

When Daland and his Norwegian sailors spot the Dutchman's ship, they hail him. He tells them that he is doomed to sail the seas and can come on land once every seven years to seek redemption from the curse. Daland, who is rather greedy, hopes the wealthy stranger will marry his daughter, although Erik, a young hunter, has already been courting her. They go to Daland's house, where Senta promises obedience to her father's wishes. She has been feeling that Erik is a little bit too conventional and boring and she finds the stranger mysterious and romantic, so she sings her desire to be the woman who can redeem the Dutchman. He warns that her fate won't be pretty if she swears fidelity but fails to keep it, but Senta has fallen in love at first sight and pledges her faithfulness unto death. Party time! But when the sailors and their women call to the Dutch ship for the crew to come ashore and join the celebration, it becomes clear that the ship is manned by ghosts. Written by Fiona Kelleghan

一代芭蕾编舞大师巴兰钦的代表作品《珠宝》。这部芭蕾舞剧由巴兰钦创作于1967年，分为风格迥异的三部分，分别以“红宝石”，“绿宝石”和“钻石”为题材并命名。三幕联合起来看，分别代表了三种不同的芭蕾风格，Emeralds：法国浪漫主义风格，RUBIES：百老汇风格，DIAMOND：俄罗斯PETIPA，有很强烈的对比效果。

This is a beautifully conducted and thoughtfully staged performance of the first opera (the prologue) in Wagner's Ring Cycle. As soon as the clouds of mist have dissipated, while the daring, long-held opening chord is still reverberating, the screen clears to show not only the River Rhine and the three maidens (dressed like prostitutes in this production) assigned to guard the gold hidden there. It also shows an enormous dam (not mentioned in Wagner's text). This is the underwater base of a hydroelectric plant, and its presence tells us two things immediately: that this production takes the story out of the vaguely medieval fantasy world in which Wagner had placed it, and that a basic theme of the four-opera cycle would be power. Alberich, the Nibelung, is willing to renounce the love of women, after stealing the gold from the Rhine, to become the ruler of the world. Another basic theme is greed.

The second part of Patrice Chérau's epoch-making Bayreuth Ring is a radical re-imagining of Die Walküre, unprecedented in its psychological penetration. This production of " Die Walkure," staged as part of Patrice Chereau's Centenary celebration marking the 100th anniversary of the completion of the "Ring," this lavish performance features Donald McIntyre as Wotan, Peter Hofmann as Siegmund, and Gweneth Jones as Brunnhilde; Pierre Boulez conducts the Orchester Der Bayreuther Festspiel.