It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

A psychological study of three girls who enter a boys' school to prepare for their final examination.

The young Styrian woman Therese Brandl desperately wants to work in the theater and therefore travels by train to Vienna to pursue artistic training. The scholarship granted by the elderly Countess Hoyer is intended to guarantee her financial independence. Unaware that she is to be picked up from the Vienna train station, the student immediately takes a taxi upon arrival and asks for recommendations for both an affordable hotel and a charming little pub. Therese gets approached by an older gentleman, a gray-haired bon vivant with considerable life experience. After several glasses of wine, they leave the establishment together and go to Therese's room. Apparently, things escalate there, and they spend the night together without having been introduced. The surprise is all the greater for Therese when she goes to the drama academy the following day to begin her training: her future teacher is none other than the gallant and lover from the previous night, Dr. Alexander Dahlen.

Christian Kempenich, a pedantic law firm manager, attends a christening in Cologne, leading to a boozy night. He wakes up in a stranger’s bed and is accused of stealing bed linen from the hotel. Meanwhile, his wife Hedwig had her own fling and wants to keep it secret. When she learns of Christian’s predicament, she reveals her affair during a heated discussion. Realising their marriage is at risk, they decide to work on their relationship.

Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.

Based on an 1884 novel by Julius Stinde, it is a family chronicle set in late nineteenth century Berlin.

As the title "The Queen's Heart" suggests, this early German black and white version of Mary Queen of Scott's eventful reign and death focuses on her emotional perception rather lyrically, with some songs, mainly by her.