1964 film by Memduh Ün

Nil spends years in jail and is being tortured during September 12 junta period and alienates the new life after she is released.

1969 film

Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.

The film tells the story of a family that is on the verge of breaking up as a result of slander. Sabahat spends her days doing housework, taking care of her mischievous child, and dealing with her grumpy mother-in-law. Cemal, who returns home exhausted from work, struggles with Sabahat's complaints every night. Arguments between them become increasingly frequent. Mualla, their neighbor who has been in love with Cemal for years, takes advantage of this tense atmosphere. When Cemal kicks Sabahat out of the house after an argument, Mualla sees this as an opportunity to put her plan into action.

1972 film directed by Memduh Ün

Three men live in an abandoned building and try to eke out a living by pooling their meagre resources. They come upon a lonely blind girl one night, befriend her, and take her in as their guest, pretending they are rich. They learn that 800 lira will cure her blindness. One of the three decides to get the money by any means necessary, because he has fallen in love with her.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

1981 film by Memduh Ün

Kemal is a young man who does all kinds of work to make ends meet and is passionate about football. The young man who makes his living from the hardest, one day finds a baby abandoned on the side of the road. Kemal, who adopted the orphaned baby, raises and takes care of the girl like the baby's father.