2004 film directed by Nikolaj Cederholm

Christine - a picture restorer - is terminally ill. While lying in her sick bed she delves into memories of her life and imagines the reunion with her late husband in the afterworld.

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

Max is hitting puberty, and classmate Ofelia has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year's Eve. Watching her little boy grow up, his mother Agnete doesn't know what leg to stand on.

Katrine is to be married. Her fiancé is gorgeous, their appartment is luxurious and her future in-laws are wealthy. Katrine only has one problem: she sometimes finds it difficult to tell the truth, and this sends her on a round-about jaunt with an old friend, Thomsen, who has just barged in unannounced from Kenya and who wants to return a favour and help Katrine with her wedding preparations. A labyrinthal excursion takes place. Tomorrow is another day, the wedding day!

Four people plan to rob a bank on new year's eve, when no one will notice because of the celebrations.

讲述哥本哈根的婚礼策划人安妮突坠爱河，对象却是已经订婚正准备婚礼的客户，而她两个同性恋员工间的关系也出现了起伏，真是紧张忙碌的一天。

Ambitious mid-life careerist Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly she finds herself without a place to live, job or family. With every fiber of her being calibrated for success, Hanna is set on getting it all back. But getting there means having to win something much more important, love and desire for herself and who she is. "The Year I Started Masturbating" is Erika Wasserman's (Silent Roar, Border) first full-length film as director.

Danish-French television series