Un hombre y una mujer, que nunca se han visto antes, viajan en un velero. Él sólo sabe que lo espera su destino al final del viaje. Ella huye de un crimen que dice no haber cometido. No tienen nada que perder. Sólo los contiene el río y la esperanza de la libertad si logran llegar al otro lado. Pero, en el camino, un guardacosta interviene para complicar sus planes.

television series

Javier, a plastic artist whose life goes by uneventfully, undertakes a strange project: to film his mother, an enigmatic and distant woman. He is not a filmmaker and improvises this task, which will bring an unexpected connection between the two.

贝尔因为持械抢却与杀人被定罪送进监狱，从那时起难以忘却与妻子女儿分离的痛苦。现在，他出狱了，终于获得属于自己的那份钱并得以与家人团聚，至少说是补偿了一部分失去的损失。可是，世事难料，可怕的遭遇接种而至。贝尔将如何应对呢？

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

作为“守护者”，鲁本有责任监督计划部部长。部长下车，鲁本也下车。部长向左转，鲁本也向左转。部长带着家人去乡村俱乐部度周末，鲁本也必须跟随。如果部长决定要小睡一会，鲁本也一定要分秒不离地照看他。但尽管鲁本必须时时在场，他却不能被部长发现。就像影子一样 ，鲁本注视着周围的一切事物，好像生活从他身边慢慢溜走。而他永远不理解事情的进展、人们在谈论些什么、不清楚人们从哪里来到哪里去 。鲁本在生活中也不是自己的主角，过着孤单的日子，有一个精神极不稳定的姐姐和侄女，被卷进非法贩卖军火和卖淫当中，他还要面对单调的保镖生活和偶尔来自部长家庭的羞辱。这样的压力最终会爆发，这就是鲁本无法避免的结局...

Arriving at a distant town, a businessman decides to take the identity of a passenger who died during the bus trip.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.