2018 German-Luxembourgian television miniseries

The high-end drama, based on true and current events, explores the story of a far-right German terrorist group called National Socialist Underground, who killed immigrants just after the fall of the Iron Curtain in the 1990s. These events became known as the Bosphorus Serial Murders, and one of the suspected members, Beate Zschäpe, is still on trial today.

两德统一后，居住在耶拿-温策拉（原东德地区）的女孩贝阿特•策佩认识了乌维•穆德罗斯并与其相恋。后者对右翼势力极其迷恋，两人光顾右翼摇滚音乐会，对外国人和“寄生虫”采取行动。乌维服兵役期间，刚刚出狱的伯恩哈特•穆德罗斯和贝阿特渐渐熟识，在乌维得知两人的亲密关系后，尽管愤怒难忍，却将注意力主要集中在“起义日”，因而强调三人的彼此支撑。此时，一系列的暴力行动逐渐成为日常，爆炸袭击也正在酝酿。（豆瓣电影字幕翻译2.0小组）

We are in East Berlin, 1978. It’s summer, three years after Wassilly’s death. Nelly’s boyfriend and Alexei’s father died in a car accident in Russia. Since he is dead, Nelly wants to leave too. Away from the GDR, to leave the grief and the memories behind. To get a fresh start. That should be possible in the West, or so Nelly believes.

A lighthearted look at the opening of the border crossing of Bornholmer Straße in Berlin from the point of view of the confused border guards.

母亲安娜把自己的女儿英加留在了东德，自己逃往西部。英加在梅克伦堡的一个偏远小镇长大，和祖父母生活在一起，以为自己母亲淹死在波罗的海，祖父母 就是这么告诉她的。直到英加长成年轻姑娘，她才知道事实并非如此，她在怪癖的文学教授的帮助下横跨德国寻找母亲。电影是一部悲情的公路电影，一个关于生活谎言、沉默和遭排挤、关于负罪感的故事。 Malchow, East Germany, 1980. Twenty-year-old Anne is hiding Juri (Ilja Pletner), a Red Army deserter. With Juri facing a death sentence the couple flee to the West, leaving Anne’s infant daughter Inga in the care of her grandparents. Twenty-five years later Inga (Anna Maria Mühe) has grown up believing her mother is dead. When approached by Robert (Ulrich Matthes), a literature professor from the former West German town of Konstanz, Inga begins to doubt her past and begins a search for the truth. As her road trip with Robert continues, his hidden motives begin to surface.

2021 film directed by Christian Schwochow

Somewhere in Berlin. But not just any time, this is here and now. A postman delivers a parcel and, soon afterwards, everything changes. A terrorist attack rocks a family to the core. Maxi – who loses her mother, her brothers and her home – tries to look forward, but is still deeply insecure. Nothing seems to work. Her father Alex is as traumatised as she is. The certainties of the past have been wiped out and the grief that comes with their loss obscures everything. Meeting another young person seems to help Maxi. Karl liberates her from her paralysis and urges her to conquer her fear. He has organised a meeting of European students who are looking for solutions to the catastrophic situation on the continent. The task he assigns Maxi could be the deciding factor in the success of a grand plan. By joining forces with Karl, Maxi is dancing on a knife edge: today in Berlin, tomorrow in Prague, soon in Strasbourg and eventually all over Europe. Je suis Karl – a political takeover.

范恩（斯婷·费舍尔·克里斯滕森 Stine Fischer Christensen 饰）怎么都想不到，自己竟然会成为大导演弗里德曼（乌尔里希·诺登 Ulrich Noethen 饰）眼中的缪斯，弗里德曼将她钦点为下一部戏的最佳女主角，并且在她的身上赋予了极大的热情。 在戏中，范恩扮演了一个个性热情奔放的性情女子，可是生活中的范恩性格却正与此相反。为了达到更好的演出效果，弗里德曼开始用各种各样过激的手段刺激范恩的精神，迫使她打开心扉。这样的刺激很快就显现出了效果，改变后的范恩也因此找到了自己的如意郎君。但对于范恩的母亲来说，性情宛如陌生人一般的女儿带给她的只有痛苦和伤悲。面对自己逐渐失控的精神领域，范恩无能为力。

2016 film by Christian Schwochow

In a small North German village a drama played out during and shortly after the Second World War about duty versus individual conscience and morality.