Ham gets a job at the lunch counter at a fitness club and soon rouses the ire of the manager.

Poor, decent young woman Lory (Percy) avoids moral pratfalls after she is employed by a rich family. She falls in love with the son (Harlan) but the couple is separated by his cruel, class-conscious mother. Lory stays true to her spirit and does not compromise her integrity when the mother attempts to pay her off. Later, a tragedy might open the door the broken hearted young woman to find happiness.

A farmer has saved all his life to pay for his daughter's wedding, but when his brother is fired from his job on the oil rig, the wedding must be postponed and the money put to the more pressing need. The farmer, now himself destitute, is forced to put his house up for sale to repay his creditors. Meanwhile, a man from the oil syndicate discovers oil on the farmer's land. Moving quickly, the syndicate tries to buy the farm before the farmer knows what he is selling. -Harpodeon

The Last Outlaw (1919) proved very tantalizing. An end-of-the-West Western, it shows its grizzled hero revisiting the town of his youthful exploits. But now, in an anticipation of Ride the High Country (1962), civilization has taken over. Cars chase Bud off the streets and the theatre features movies (Universal Bluebirds at that, a bit of product placement). Ford heightens the contrast by letting us into the hero’s memory, introduced by the title: “Memories of the past flashing back to him”—the earliest reference to the term “flashback” I recall seeing in the movies.