Henry Kaiser — Artist (12)

Music

Invite The Spirit 1983
Douban
Henry Kaiser / Charles K. Noyes … genre: Jazz
release date 2007-08-28 publisher: Tzadik
Design – Chippy, Heung-Heung Chin Drums, Percussion, Saw – Charles K. Noyes Electric Guitar, Acoustic Guitar – Henry Kaiser Executive-Producer – John Zorn Executive-Producer [Associate Producer] – Kazunori Sugiyama Gayageum [Kayagum], Flute [Tanso], Vocals, Calligraphy – Sang-Won Park Mastered By – Phil Brown Photography By [Back], Art Direction – Thi-Linh Le Photography By [Front] – Michael Ayervais Producer – Charles K. Noyes, Henry Kaiser Recorded By – Randy Adler Remastered By – Scott Hull Recorded August 1983 in NYC. Originally issued as Celluloid CELL 5008/5009.

Music

The Secret Handshake With Danger (Vol. One)
Douban
Olie Brice / Binker Golding … genre: Jazz
release date 2021-03-12 publisher: 577 Records
Double Bass – Olie Brice Drums, Percussion – Eddie Prévost Graphic Design – Sergio Vezzali Guitar [Guitarism] – N.O. Moore Guitar [Ismguitar] – Henry Kaiser Mastered By – Bob Olhsson Painting – Brandy Gale Recorded By – Shane Shanahan Saxophone [Saxophones] – Binker Golding Recorded on March 12, 2020 and mixed at Westpoint Studios, London UK

Music

A Love Supreme & Meditations
Douban
Vinny Golia / John Hanrahan … genre: Jazz
release date 2020-11-13 publisher: Cuneiform Records
Art Direction, Cover [Cover Drawning] – Brandy Gale Composed By [All Compositions By] – John Coltrane Engineer – Wayne Peet Guest [Special Guest], Percussion – Rakalam Bob Moses Liner Notes – HK Mastered By [Mastering] – Henry Kaiser, Wayne Peet Performer [Crew On Board], Bass – Mike Watt Performer [Crew On Board], Drums – John Hanrahan Performer [Crew On Board], Electric Organ [Hammond B3 Organs], Electric Organ [Yamaha YC-45D Organs] – Wayne Peet Performer [Crew On Board], Guitar – Henry Kaiser Performer [Crew On Board], Tenor Saxophone [Tenor Saxophones], Soprano Saxophone [Soprano Saxophones], Baritone Saxophone [Baritone Saxophones] – Vinny Golia Photography By [Photos] – Rob Borolla Jr. Producer [Production] – Henry Kaiser Recorded on February 10th 2019.

Music

Live, Love, Larf & Loaf
Douban
Fred Frith / Henry Kaiser … genre: Rock
release date 1988-02-09 publisher: Rhino Records
2008 digitally remastered and expanded edition of this collaboration album featuring four previously unreleased live bonus tracks. The album Live, Love, Larf & Loaf was first released in 1987 and is a wonderful and rare collaboration between four experimental world-class master musicians. Richard Thompson once joked that if his presence on an album with John French, Fred Frith, and Henry Kaiser was expected to help it appeal to a wider audience, it didn't say much for the state of their careers. Their first album from this unlikely ensemble mixes sophisticated playing with some humorous repertoire and idiosyncratic covers. Live, Love, Larf & Loaf covers a bewildering variety of genres, from Folk and R&B to Avant-Garde and Comic Opera. The New York Times made it their Rock Album of the Week - "As it draws on music from at least four continents, Live, Love, Larf and Loaf romps past borderlines". Fledgling.

Music

The Five Heavenly Truths
Douban
release date 1993-11-10 publisher: FOT Records
Electric Guitar – Henry Kaiser (tracks: 1 to 3, 6 to 9) Guitar [Midi] – Henry Kaiser (tracks: 1, 2, 5, 6, 9) Producer – Henry Kaiser Tracks 1 & 9 recorded live June 1992. Track 2 recorded live March 1988. Track 3 recorded April 1992. Track 4 recorded November 1990. Track 5 recorded November 1991 in California. Track 6 recorded live August 1990, at Derek Bailey's Company Week, London. Track 7 recorded live August 1989. Track 8 recorded June 1992.

Music

Popular Science
Douban
Sergey Kuryokhin / Henry Kaiser
release date 1989-07-31 publisher: Rykodisc
This set features the duets of Henry Kaiser and the late Russian keyboardist Sergei Kuriokhin. Both play Synclavier keyboards, with the former also playing guitar. The pieces range from the friendly strut of "Rattlesnake Round-Up" to the wacky hoedown of "Electricity Vs. Foods." "The Concept Of Concept" starts off as a bluesy reverie as played by Kaiser, who hands it over to Kuriokhin, easing it into a classically evocative European landscape. The two men each spoke little of the other's native tongue, and perhaps because of that linguistic barrier, communicated all the more effectively as improvising musicians. A warm friendliness runs throughout this entire CD, and for anyone unfamiliar with or wary of the world of improvised music, POPULAR SCIENCE makes for a most hospitable entry point.