四方笃（冈田准一 饰），川端悟（柄本明 饰），田所启太（小栗旬 饰）是一同经历过年少时期的3位少年。四方为了逃避过去而成为了刑警，在25岁之时，因调查好友川端被杀一案又不得不直面自己的过往。田所则在调查中以嫌疑人的身份出现……三人分别以刑警、嫌疑人和被害者的身份再度相遇，与三人有着千丝万缕联系的案件真相、一段被封印在内心深处讳莫如深的过往，也将在调查过程中逐渐浮出水面……

该片是系列第50部作品，由新拍摄的部分与旧作名场面组合而成，主演是已经去世的渥美清，倍赏千惠子、前田吟、吉冈秀隆等共演。

This is the story between single mother housekeeper and mathematics professor,who has a brain damage.

The quiet life of a mother and her young son living on a farm in Hokkaido is changed by the arrival of a man who ignites flames of romance in the heart of the mother and shows her boy the importance of grit and kindness, but then he leaves with the autumn wind.

这是一部感人至深的制作，在日本很受欢迎，制作者每年推出一集，连续上演多年，而参加演出的演员阵容却没有变化，从而在艺术上实现了真实。在剧中扮演父亲的是日本著名的老演员田中邦 卫，曾经因为在《背叛》、《非凡的勇气》、《八墓村》等影视剧中的演出赢得了很好的声誉，而中国观众记忆最深的则是他在《追捕》中塑造的反派角色横路进二。在《北国之恋》中，他扮演的父亲朴实、勤劳、忠厚，为了一对儿女付出了一生的精力。在《北国之恋》中扮演兄妹的吉冈秀隆、中岛朋子都是从十岁起就开始参加该部电视剧的拍摄，可以说他们是随着这部电视剧长大的，当《北国之恋》最终封镜时，这对当年的童星也成了日本演艺界的名人。此外，在本剧中客串出演的有竹下景子、宫泽理惠等著名演员。

2016 film directed by Takahisa Zeze

2016 film directed by Takahisa Zeze

1999 film by Yasuo Furuhata

2004 Japanese anime film created and directed by Makoto Shinkai

Would-be writer Ryunosuke Chagawa is still living across the street from Norifumi Suzuki and his auto repair shop, though now he shares his home with Junnosuke, an orphan he's taken under his wing at the urging of pretty Hiroi, who continues to manage a nearby tavern. Chagawa dreams of publishing a successful novel and settling down with Hiroi and Junnosuke, but his day job running the candy store keeps him busy, and Hiroi mistakes his tight schedule for a lack of interest in her. Hiroi has also embarked on a secret career as a burlesque dancer, which isn't doing much to improve her opinion of men. At the Suzuki household, seven-year-old Ippei isn't happy to be sharing the house with a guest, his distant cousin Mika who is the same age but far more demanding. Mutsuko, the apprentice female auto mechanic, is still staying with the Suzukis, and she's becomes the object of the affections of Takeo, a downbeat young man who is studying cooking.

The Tokyo Olympics are about to open, and Rynosuke Chagawa is excited to receive a new TV set to watch the upcoming events. His wife Hiromi is pregnant and he has built a second level on his shop to provide his adopted son Junnosuke with a private space to study for entrance to Tokyo University to set up a career with a major company. He dreams of sparing Junnosuke the struggles that he has faced as a writer. The family continues to rely upon Hiromi's income from her bar. Meanwhile a rival story, The Virus, by a new writer has appeared in the periodical that has been publishing his stories "Boy's Adventure Book" and he fears the new competition. Norifumi Suzuki also receives a new TV, but more of a deluxe model. Mutsuko Hoshino (Roku) is still the principal mechanic in the Suzuki family's auto repair shop, but she dresses up some mornings to go to a nearby street with the hope of a "chance" meeting with Dr...

Husband and wife Michiko and Takao move from their urban existence in Tokyo to the isolated, rural farming village where Takao grew up.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.

When easy-going Aoyagi meets an old friend for a fishing trip, he ends up drugged, framed for the Prime Minister's assassination, and on the run from corrupt cops. It's only the beginning of what quickly becomes the worst, weirdest day of his life. But he'll get by with a little help from his friends, who include a famous pop diva, a rockabilly deliveryman, a crippled old gangster, and the world's most cheerful serial killer.

2004 film by Shunji Iwai

Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.