Documents the major trial of the Nazi war criminals and the violent acts that they were accused of.

During the colorful ceremonies of the Nuremberg rallies, Hitler Youth parade before their Fuehrer and are addressed by Nazi youth leader Baldur von Schirach, Rudolf Hess, and Hitler himself.

The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.

180 (2011) boldly confronts abortion as modern genocide. Ray Comfort uses Holocaust imagery—11 million murdered under Hitler—to expose ignorance via street interviews, asking if people would kill baby Hitler. He then equates 50M+ U.S. abortions to the "American Holocaust," forcing viewers to face the moral horror of child-killing. No evasion: equates elective abortion with premeditated murder of innocent image-bearers. Powerful pro-life wake-up call from Living Waters, ending with urgent repentance. Uncompromising truth exposing bloodguilt. (33 min)

Soviet produced look at the trials that followed the fall of Germany. Deadly serious, this film is almost too somber to be taken with a straight face since the narration often comes across as rather preachy and purple. Its pure propaganda in the "we were right to try these people" sort of way and is clearly biased against the defendants who had just set Europe aflame. The take is rather odd and unlike any thing that I've run across in American or in Western European films on the same subject. It seems to be trying to over explain why the leaders of Germany were tried, which in retrospect is painfully obvious. Its clear from the lean toward the Soviet take of events and of its lingering on the speeches by the Soviet prosecutors who was behind the film. Its not bad but the heavy handedness of the presentation becomes wearing after a while. If you keep in mind when the film was made its an intriguing look at how the events were viewed during their own historical period. However its probably too long at an hour, with its ponderous preaching taking away from any value the film might have had.

Adolf Hitler (1889-1945) was a mediocre who rose to power because of the blindness and ignorance of the Germans, who believed he was nothing more than an eccentric dreamer. But when the crisis of 1929 devastated the economy, the population, fearful of chaos and communism, voted for him. And no one defended democracy. As the dictatorship extended its relentless shadow, the leader claimed peace, but was preparing the Apocalypse.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”

An expose of the beliefs, history, and personalities of American White Supremacist groups, including neo-Nazis, fascists, the Ku Klux Klan, and the Aryan Nation. Footage includes interviews, as well as the supremacist's own promotional material. Subject discussed include the loss of America to the "colored" races, the imminent racial bloodbath, interracial breeding, prejudice, the Holocaust, Jesus, Christianity, Jews, the Bible, and illegal immigrants who enter the country with nuclear bombs strapped to their backs.

The armed forces of the Third Reich, particularly the German army, are presented as an efficient system of bodies and machines at the seventh Nazi Party Rally that occurred in Nuremberg in 1935.

Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on the orders of Hitler on the Night of the Long Knives in July 1934. All known copies of the film were destroyed on Hitler's orders, and it was considered lost until a copy turned up in the 1990s in the United Kingdom