Some brazilian chicks are kidnapped by girl dealers and carried away on a small airplane to take them to the amazon jungle. What follows is catch as catch can between two groups of gangs... but the girls have fun anyway...

1972 film by Reginaldo Faria

On the banks of São Paulo's Rio Tietê, a poignant tale unfolds, featuring a tapestry of characters existing on the fringes of society. Prostitutes, a pimp, a mentally disabled man, and others marginalized by fate lead lives mired in hopelessness, devoid of any prospect. Trapped in the relentless cycle of their ordinary yet despairing existence, they yearn for release, anticipating the embrace of death as their only salvation—a collective passage onto the harrowing vessel of damnation.

1984 film by Guilherme de Almeida Prado

O milionário Juliano busca novas emoções que lhe quebrem a monotonia da vida fácil que leva. A oportunidade surge com a misteriosa aparição do professor Kunz, misto de cientista e charlatão, estudioso de uma droga destinada a liberar a personalidade oculta das pessoas. Juliano resolve financiar a pesquisa e servir de cobaia. Transforma-se numa bela mulher, Juliana. Acontece que tanto o professor quanto o milionário perdem o controle dos efeitos da droga, gerando situações complicadas e divertidas.

Young Daniel is dying to lose his virginity, but his love life is completely messed up. His father, seeing this, invites a cousin from São Paulo to help his son become a stallion. However, the cousin's arrival only ignites the boy's fire, who can't even see the beach girls.

1983 Brazilian telenovela

1973 film by Alfredo Sternheim

1979 film by Carlos Coimbra

Two friends take two prostitutes for a night of pleasure. But the night turns out to be frustrating for all involved, as much bitterness is revealed in their conversation and attitudes, uncovering their anguish and deeper feelings, and the emptiness of their lives.

Walter Hugo Khouri号称是巴西电影界的伯格曼，〈空洞的夜〉（1964）〈燃烧的躯体〉（1966）和〈好色之徒〉（1968）是他的人性三部曲，在他的影片中充满着存在主义的疑问、角色复杂内心的独白和现代主义的电影语言。 I think that Walter Hugo Khouri was inspired by Antonioni's "Deserto Rosso", when he made "Corpo Ardente". There's the same bleak landscape. And the photography is a mystery to me - it is a black & white with shades of color, or rather a color film transmuted into black & white. The landscape seems to dissolve into a shining white and the black horse running free serves as a counterpoint. Antonioni's "Deserto Rosso" is a powerful study about the shattered life of a woman (Monica Vitti), but "Corpo Ardente" sinks into nothingness in spite of its beautiful images and its several symbols. Visually speaking "Corpo Ardente" is a beautiful film. And the naiveté of its symbols is charming. (from imdb comment)