Samad goes to the city with his donkey on the advice of his grandmother to learn an industrial job with the help of Mash Baqer. His donkey is kidnapped and he is reported to the local constable. Karim Agha, the owner of a real estate agency, with the help of his apprentice Rahim, enlists Samad to play the role of a rural landowner who has come to the city to sell his land at a cheap price. Karim Agha employs Samad as a construction worker while using Samad's fingerprints under fake land ownership papers.

Persian (Iranian) Movie

In the village where Samad lives, the "Fighting Illiteracy" organization organizes a literacy class for the elderly to teach them literacy skills. In order to trap a group of smugglers, the head of the police force arranges a "politics" and sends one of the smugglers he has arrested to the class. The smuggler's friends, who have learned of the presence of their accomplice in the class, try to escape him, unaware of the trap that has been set for them. At the moment when the smugglers want to free their friend and the police station officers are unaware, Samad, who is one of the students in the class, enters the fray and traps the fugitive and the group of smugglers, and delivers them to the police station.

Based on the true story of the Azari war hero, Sattar Khan, during the time of the Constitutional Revolution. The story follows Sattar and Haydar as they join another hero Baqir Khan.

Samad burns an ogre's hair which causes an 8000 years old ogre to be released from his prison. The ogre eats a goat and also kidnapped Leila for Samad which causes her father to complain against Samad and sends him to jail but the ogre saves him and takes him to the city. There they have more adventures.

Mr. Khavari, a calligraphy teacher who is the tenant of an aristocratic family has fallen in love with their daughter. But the hand of fate is working against his heartfelt sentiments. Every time he find a chance to ask for the girl's hand, a rival crops up that marries the girl and make him a loser. But Khavari proves himself a persevering suitor...

A satirical comedy about a poor farmer who, while plowing his field, accidentally uncovers an ancient burial chamber loaded with gold artifacts. Realizing that the trove would somehow liberate him from his bumpkin existence, he brings pieces of it to a jeweler in the city.

Meteor: Sohrab Shahid Saless by Mahmoud Behraznia is a documentary with a different perspective on Sohrab Shahid Saless, a leading Iranian filmmaker. Someone whose viewpoint at cinema and the special type of aesthetics he used in his films has been a path-breaker for many Iranian filmmakers. The film provides the viewer with new information about the life and work of Sohrab Shahid Saless in Germany.

Samad is to be sent to the city courthouse for his fights where he points his finger at others, and he happens to be handcuffed to a male smuggler. Along the way, the smuggler manages to escape with the help of one of his accomplices, and since his hand was tied to Samad's, they are forced to take Samad with them. After they untie the handcuffs, they decide to kill Samad, but the smuggler's accomplice, who was a girl and happened to be the daughter of the gang boss, does not allow them to kill Samad out of emotion. So they take him to a cinema and while Samad is immersed in a Bruce Lee karate movie, they leave him there and leave. Samad becomes fascinated with Bruce Lee and karate after watching the karate movie, and after returning to the village, he tries to teach the villagers karate by imitating Bruce Lee's martial arts moves.

After being wrongly accused of stealing from his former boss, an Iranian gangster with girl problems must hunt down stolen drugs in this neon-noir fever dream set in the bizarre Persian and Russian Los Angeles underworld where obscene reigns supreme.

As in his earlier films, this uncompromising Iranian director works through repetition, his style so unemphatic that the slightest modulation (the same action seen from different perspectives, for instance) carries a charge. Saless' camera simply fastens, in long, uninflected takes, on the daily rountine of a Turkish worker in Berlin, a Gastarbeiter like any other. We see him at his job, a dedicated prisoner to his monotonous machine; travelling home on the underground, where only a drunk will talk to him; walking home to the shabby room he shares with other Turkish workers, and where he ocasionally writes letters home and regularly counts his money. The determined austerity has an almost mesmeric effect; and seems almost too calculated until one begins to feel the enervating isolation of these mortgaged lives. For all that the foregin worker tries to engage with his adopted city (and he does try, inarticulately but with an innocent single-mindedness), he might just as well have come from another planet." David Wilson, "Sighe and Sound"