The video tape shows the half-length portraits of Abramović and her husband Ulay standing opposite each other, looking at each other and producing a long sound with open mouths.

Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.

An opera project by Marina Abramović (2020)

2006 film by Marina Abramović