The film tells the story of a sister and a brother, Inês and Rafael. Since the divorce of their parents, their family never saw Rafael again. Inês runs away from home looking for him when she is told he is back at the Guincho Beach and surfing again. Rafael is an ex-surf champion who everyday gets himself inside the most dangerous waves to test the limits of his life. When the two brothers meet, Guincho makes them come together in a promise of paradise on earth, as it was the last place where their family lived together and in happiness. But Inês is surprised one day when she finds her brother looking fixedly to the Serra de Sintra mountain range, where the Convent of the Capuchos, which once was his refuge, is. She fears having brought him back the memories of the separation of their parents. Rafael is in a crisis of faith. When one day he disappears, Inês knows he went back to the convent, and she starts doing what she can to bring him back to her.

Pluto is no longer considered a planet. The posters in the classrooms and museum shops were replaced, new objects similar to Pluto will continue to appear. As time goes by, we'll get used to this idea just as we forget an old lover and long for new horizons.

夜晚還年輕，月圓之夜的到來，開啟了探索世界的一道門。無止盡的狂歡派對在各處舉行著，人們跳起舞來，試著縮短與他人的身體距離，空虛寂寞世界裡的一場冒險

Produced during his studies at Le Fresnoy, an important French film school and artistic research lab, “A Guest + A Host = A Ghost” is based on an aphorism created by Marcel Duchamp in 1953 that Jorge Jácome develops with the use of human hands and of his incalculable capacity for expression and sensory perception. Throughout a series of frames, with a camera that moves hesitantly (like a ghost?), Jácome applies distortions as well as sound and visual manipulations that appeal to subjectivity and resignification through the senses. Living up to the Duchampian proposition, Jácome invites us (“guest”) to find in his film (“host”) the necessary elements to experience something in the spectrum of the immaterial.

2011 film

1859年的葡萄牙王國，王子拎著形單影隻的玻璃鞋，彷彿失了魂地終日在城內漫步。但他真正念念不忘的究竟是那位女孩，還是她腳上所剩下的另一只玻璃鞋？大膽顛覆《仙履奇園》的經典童話，從王子的視角出發，重新改寫浪漫主義文本，捏塑成一篇同志愛慾、戀物與扮裝並呈的異色童話。