Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

A powerful terrorist organization known as the Black Cross Army threatens to destroy the Earth, with only the defense organization EAGLE (EArth Guard LEague) able to oppose them. In retaliation, Black Cross Army destroys multiple EAGLE headquarters across Japan, killing all but five people. Now, these five remaining EAGLE members are called to form a secret, powerful team known as Gorenger, the only force left that has a chance to stop the Black Cross Army and their evil leader, Black Cross Führer.

Ryoji, a wanderer, arrives in a remote mountain town, carrying a shotgun and claiming to be a hunter. He quickly becomes embroiled in a web of trouble surrounding the town's mill.

The story deals with a juvenile delinquent gang surviving through petty thievery. However, everything gets screwed up when they accidentally steal big bucks from the Yakuza.

Just before the end of the war, Japanese soldier Kitani is released from prison, having served his term for theft. Told in flashback, viewers learn about Kitani's past and reasons behind his prison sentence.

Military doctor Leutenant Hanada deserts during the war in the Philippines with a local girl. The officer in command orders Lieutenant Uji to shoot Hanada. Uji takes a sharpshooter called Takagi and tracks him. At first Uji cannot forgive Hanada but as Uji is isolated from the main force he too starts to think of desertion.

機関車のカマ焚きの青年が主人公の物語で、氷室和敏の原作を、「氷壁」の新藤兼人が脚色、「異母兄弟」の家城巳代治が監督した青春篇。撮影は「季節風の彼方に」の宮島義男。「奴の拳銃は地獄だぜ」の江原真二郎、「鴬城の花嫁」の丘さとみ、「清水港の名物男　遠州森の石松」の中原ひとみ、「炎上」の仲代達矢らが出演している。

Asako, a former telephone operator once heard the voice of a murder suspect which has continued to haunt her. Years later her husband invites his boss, Hamazaki, over for dinner and she realises his voice is suspiciously like that of the killer. Before she can investigate further, Hamazaki is found dead and her husband becomes the prime suspect.

A Masked Monster being chased for stealing a microfilm with EAGLE secrets hides on a houseboat to avoid Kaijo and Asuka's pursuit.

The film tells the story of four orphans living in an impoverished mining town. An adaptation of a best-selling book based on the diary of a ten-year-old zainichi (ethnic Korean Japanese) girl, it was one of the first films to deal with the subject of zainichi identity and struggles in Japan.

Set in the post-World War II climate of the 1960s in Kobe, the movie explores the struggle for power within the powerful Manpyo family.

The story contrasts the life of two doctors, former classmates and now both assistant professors at Naniwa University Hospital in Osaka. The brilliant and ambitious surgeon Goro Zaizen stops at nothing to rise to a position of eminence and authority, while the friendly Shuji Satomi busies himself with his patients and research.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his dear wife and his old life, Kaji faces great odds in a variety of different harrowing circumstances as he and his fellow men sneak behind enemy lines.

1963 film by Shōhei Imamura

A rambunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.