In the spring of 1945, World War II is coming to a close. Roger Halyard, a dignified, strait-laced Englishmen, lives on a South Sea atoll with his three daughters, Gloria, Hester and Violet, along with the housekeeper, Thelma, who has raised the girls since childhood. Other than their father, the girls have never seen another man. Halyard is informed that 1500 U.S. Marines will soon arrive to establish an air base on the island. Halyard is rather apprehensive over the prospect of his daughters, who have never met another man, being thrown together with 1500 Marines who haven't seen a woman in months.

A San Francisco cab driver find himself in possession of a monkey that is carrying a formula for turning atomic waste into a plutonium bomb. He finds himself framed for a murder and chased…

As ratings for Jack Crandall's lifeless airborne traffic reports plummet, a super-size St. Bernard on the lam stows away in his chopper. Crandall's new co-pilot helps send ratings sky-high, but the canine's chronic kleptomania generates girl trouble, jewel thievery, and loads of laughs.

Sir Arthur Blake has inherited title and lands from his brother. He also has his orphaned nephew Benjamin working for him as a bonded servant. While he believes the lad was born out of wedlock and so cannot claim the inheritance, he is taking no chances. Benjamin eventually rebels against his uncle and sets sail to try and make his fortune. This may enable him to return to prove his claim to being the rightful heir to the estate.

Karen marries Arnold at his funeral and continues to get his money as long as she stays by his coffin. Meanwhile, various oddball relatives after Arnold's wealth are being killed in a creative variety of ways.

When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.

Sanger, an eccentric expatriate composer, dies in his house in the Austrian Alps, leaving his daughters penniless. The young composer Lewis Dodd, a longstanding friend of the family, falls in love with their cousin Florence when she comes to take the girls back to England. But little Tessa Sanger is in love with Lewis herself, and when she runs away from school and comes to live with Florence and her husband, their already-shaky marriage is further undermined

Mr Banks is looking for a nanny for his two mischievous children and comes across Mary Poppins, an angelic nanny. She not only brings a change in their lives but also spreads happiness.

The murder of a Wax Museum proprietor and some other strange goings-on in the vicinity prompt a police investigator to determine whether the killer is one of the principles who wants to own the museum or if Jack the Ripper has returned to killing after a hiatus of ten years.

1969 film by Norman Tokar

Ellen Creed is a housekeeper who looks after Leonora Fiske, a retired actress living in the English countryside. When Ellen's eccentric sisters visit their sibling at Leonora's home, tensions soon lead to murder.

The brilliantly designed, one-of-a-kind film manages to create legitimate speaking parts for six dozen famous actors and actresses. The 1943 production, designed to boost British morale during the War, explores the experiences of a family through several generations. Also written and directed by teams of talented screenwriters and directors, the 106 minute film is remarkably coherent and engaging, and, of course, the steady parade of stars doing their thing (Buster Keaton as an inept plumber; Eric Blore as a smarmy butler, Charlie Ruggles as a concerned father, Claude Rains as a villainous suitor, and so on, and so on) is an utter delight. The black-and-white source material is somewhat worn down, with numerous scratches and other markings. The image is reasonably sharp most of the time and contrasts are fairly well defined, even when parts of the picture appear grainy. The film’s condition tends to reinforce its wartime origins and does not present an insurmountable detriment to the entertainment. The monophonic sound is adequate and the film is not captioned.

This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.

Androcles is a Christian who follows that religion's teachings even as they apply to the treatment of animals. Seeing a lion in pain, he removes a huge thorn from the beast's paw, creating a friend for life. Androcles and a number of other Christians are evenutally arrested and condemned to death in the arena. They are to die by being eaten by lions. Is it too much to hope that one of the lions may have a paw that has healed recently and might remember who helped heal it?

In 1916, beautiful young mute Helen is a domestic worker for elderly, ailing Mrs. Warren. Mrs. Warren's two adult sons, Albert (a professor) and womanizing impudent Steven, also live in the Warren mansion. Mrs. Warren becomes concerned for Helen's safety when a rash of murders involving 'women with afflictions' hits the neighborhood. She implores her physician, Dr. Parry, to take Helen away for her own safety. When another murder occurs inside the Warren mansion, it becomes obvious that Helen is in danger.

A modern-day witch likes her neighbor but despises his fiancée, so she enchants him to love her instead... only to fall in love with him for real.

Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She runs away to Greenwich Village to find herself and discovers a vibrant bohemian counterculture.

1942 film by Julien Duvivier

Hard times come for the Carraclough family and they are forced to sell their dog, Lassie, to the rich Duke of Rudling. Lassie, however, is unwilling to remain apart from young Carraclough son Joe and sets out on a long and dangerous journey to rejoin him.

扯皮条扯到成为荷里活传奇，当今世上怕只有史葛蒂鲍 华思一人。麦泰拿路（《真国民：我卫我城》，41 届）翻开皮条天王回忆录，细看他当年在机缘巧合下将荷里活大道加油站变成明星肉欲场。直的、挛的、男女通杀的明星来到这里一一得到满足，食快餐、玩3P、开杂交派对式式具备。加利格兰、嘉芙莲协宾、史宾沙德利西等皆是座上客，彻底抛开银幕前绅士淑女华衣，寻回人性原始本能与基本快乐。寻幽探秘之间，且看案内人如何以货真价实兼密不透风的专业精神，赢得爱戴与尊重。