You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!

被爱和暴力撼动的三个家庭交织在一起的生活。

David, a man in his forties, who has sacrificed his life to his wife and kids fights to keep them close to him.

2018 film directed by Fred Cavayé

In 2014, the movie « Mommy » directed by Xavier Dolan, got the Special Jury Prize at the Cannes Film Festival. This was a great achievement for this director prodigy from Quebec, who had just turned 25. The script - a tumultuous relationship between a single mother and his hyperactive and violent son - and the bold direction electrified the audience. Shot in Montreal, the documentary by Tessa Louise Salomé tells the genesis of this family drama. It also reveals the failures of the society in Quebec : the failure of the mental institution and the impoverishment of the middle class

故事围绕着六对夫妻和情侣的亲密生活与性幻想展开，其中包括了角色扮演、暴露癖还有禁欲生活。

A young boy has to deal with increasing family and school pressures as his mother's disease worsens.

In order to save the man she loves from jail, Mathilde takes his place by helping his break-out. While she exclusively relies on him to survive in this prison setting, Mathilde has not heard from him since her imprisonment. Isolated, with her son as her only support, she is now identified by the inmate number 383205-B. Will Mathilde become a convict like any other one?

Apocalyptic neo-western about two gangsters, a town full of crazy people and Jesus...

Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

A peculiar neighbor offers hope to a recent widow who is struggling to raise a teenager who is unpredictable and, sometimes, violent.

The story of an impossible love between a woman named Fred and a transgender woman named Laurence who reveals her inner desire to become her true self.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.