1957 film by Roger Richebé

Marceline, the young wife of the florist Jean, can't help flirting with other men, but her brother Clo-Clo takes the poor husband's side against his sister.

Mario Esposito, who sings in a Neapolitan restaurant, is in love with Assunta, the niece of Teresa, the owner of the place. He shares his apartment with Michel, his best friend. This one has fallen under the spell of Lolita, a gorgeous adventuress he met at the cathedral where he officiates as the organist. But things go awry as, while Michel intercedes with Aunt Teresa for Assunta's hand in his favor, Mario in turn falls in love with Lolita. On the very day of his wedding with Assunta, Mario runs away with Lolita, thus betraying both his love and his friend. But it does not take long before the young singer realizes the big mistake he has made.

At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.

During WW1, a train is stopped by a bombing, a young soldier takes advantage of the opportunity to go to his native village to connect with his love and his family. As WW2 began in the real world, this film was rereleased later in ‘39 under the revised title Je t'attendrai (I Will Wait for You).

One Christmas Eve, a carefree young man, Eric, arrives in a small provincial town. Here, he meets Julien, a bar pianist who is his exact double. Julien is in love with Marinette, a pretty waitress, but he is too shy to make any romantic overtures. Eric decides to give the course of true love a helping hand by pretending to be Julien. Meanwhile, Eric’s fabulously wealthy uncle has sent his minions out to bring him back home, so that he may celebrate Christmas in the bosom of his family.

Celestin works as an organist at a girl's school. By day, Celestin is the meek and mild target of the girls' incessant practical jokes. By night, however, he is the celebrated composer of popular operas -- and the romantic vis-à-vis of a celebrated stage star. When schoolgirl Denise stumbles onto Celestin's secret, she threatens to tell all -- but only if Celestin refuses to escort her to the opening night of his latest opera. As a result, Denise falls in love with a handsome young soldier, while Celestin is accidentally shipped off to an army camp. A series of silly coincidences brings happiness to all concerned by fade-out time.

A barge captain saves Marinette from drowning and soon marries her. On the wedding day, Sylvestre, the captain’s best friend, falls in love with Marinette.

Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they've spent the night together, which doesn't fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.

Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

Leon Rollo whose nickname is "Patate" is an inventor adored by his wife and is daughter. He is mostly happy but his best friend Noël seems to succeed in everything he undertakes... Patate become increasingly jealous of this incredible luck.

1957 film by Jacqueline Audry

1936 film by Anatole Litvak

1953 film by Max Ophüls