2017 film by Rahat Kazmi

The film is a remake of the Telugu movie Seetharamaiah Gari Manavaralu (1991). This was Kajol's first author-backed role, which was critically acclaimed

1993 film

Titu's aspirations and dreams are far from his actions, he dreams with open eyes, and finds the shortest way to achieve his dreams. Despite despite his debt-ridden life, if you ask him, he is no less a dreamer than Ambani. Mosmi is the girl of today, living life on her own terms. She cannot compromise with her principles. Mosmi feels that Titu and she are made for each other but troubles arise when Titu's decisions endanger their love affair. This is a slice of life film, this simple love story of middle-class family conveys the big message of life in a very entertaining way.

2004 Hindi film directed by M. F. Husain

The film follows a scrappy taxi driver's fortunes as he tries to break out from the clutches of poverty, devising plans and investing all his money in a dubious schemes which eventually blow out on him, coming under the eye of unscrupulous politician and local goons, yet he still perseveres for his dreams.

2006 film by Raj Kaushal

2016 film

2015 film directed by Gajendra Ahire

2020 film directed by Pushpendra Nath Misra

When Vishnu Prasad Singh wishes he were invisible, the last thing he expects is that it would really happen. Once he cannot be seen, he turns to take revenge on all he thinks have wronged him.

1992 Indian Hindi film directed by Shyam Benegal

Mansi, the elder sister, has to take up professional singing to support the family after her father's death. The film focuses mainly on the female characters and traces how the younger sibling Bansi regains her identity.

Two peasants are ill-prepared for life in the big city after moving from their tiny village to Bombay.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

The son of a politician loyal to the British rule falls in love with the daughter of a freedom fighter.