An affluent judge with an incurable brain disease with only months to live decides to become the guinea pig for a new brain transplant technique. The operation is a success, but the unfortunate brain donor was a young man with unfinished business, and soon the memories and desires of this young man overwhelm the judge.

1969 film by Mario Amendola

Giuliana and Paolo attend the same high school and navigate their first romance amid the typical challenges of their age - schoolwork and relationships with relatives, who trying to restrict their choices, their desire for freedom.

1976 film by Giulio Berruti

A commercial for Campari. Shot in colour, a man and woman traveling in a train compartment, change the scene outside the carriage window with a remote control.

Madame is running a high class escort (and prostitution) service. She wants to quit the business as soon as she makes enough money to make her dreams come true. However, the relationship with her girls is deteriorating.

Professor Bonifazi runs a luxury clinic owned by his wife.

Major Paolo Altieri of the Paratroopers Corps foils the kidnapping of child, but becomes the victim himself of a violent assault by the bandits. He realises that the criminals have used an experimental machine gun that's used only in his own Corps. Altieri begins to take part in police raids on criminal activities, and ultimately discovers a conspiracy to overthrow the democratic government.

1980 film by Pier Francesco Pingitore

1977 film by Luciano Salce

Marco is married to Carla, a rich businesswoman. She's off to Geneva for two days; he has a tryst with Monique, a Swedish air hostess. Carla's flight is canceled, so she heads home about to catch Mario en flagrant. Mario's salvation is Enrico, an old school mate and hapless salesman who shows up to beg Mario to buy toilets so he won't lose his job. Mario signs an order in exchange for Enrico's posing as Monique's husband. Carla invites them to stay overnight and join a business dinner party catered by Enrico's wife, Matilde. Enrico spends the evening trying to avoid her, Mario spends it chasing the willing Monique, and Carla wants to close a deal. Can this farce end happily?

After his Western triumphs, Valerii stepped out of the shadow of Sergio Leone with this distinctly Bergmanesque sexual melodrama.Dionisio is perfect in the title role and this remains her best film, Valerii turns up along the way too. Just when the film hits a period of auto pilot John Steiner turns up in the final reel for a climax that is quite unforgettable. A bit difficult to trace but well worth the effort.

An employee discovers the infidelity of the girlfriend and will try to take revenge.

Michael is a successful actor, but he has a scandal in his past: at a tender age he knifed his father to death. He and his girlfriend Deborah go to his mother's for the weekend, and are joined by the director and others from a recent film project, who are given a rather cool reception by the superstitious housekeeper Oliver. Soon rude things begin happening to some of the guests, and Michael fears a repeat of his nightmare past is in progress

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.