In a future world devoid of men, three young women order two men to come to them and ask them which of them they would prefer.

Mary and Marquard are painters and lovers, with a common life. Once Marquard gets a prize of a considerable sum of money, his artistic creativity wanes. While Mary works in a series of paintings, Marquard visits his friend Gregor, a horse breeder and philosopher, sleeps with Angie and visits repeatedly her daughter Lucia. Marquard and Lucia, who have begun a tender and compassionate father-daughter relationship, spend two days in a seaside hotel, deciding not to speak in words. The feelings and communication emerge from a very special way. Mary, who does not know the whereabouts and the reason of the absence of Marquard, realizes it by herself: their love is over. Then, she abruptly interrupts her work so far and starts a new painting entitled "The visible and invisible."

2001 film by Rudolf Thome

A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.

A beautiful woman, Supergirl Francesca Farnese, appears out of nowhere on a Bavarian highway. She wears only an orange jumpsuit and wants to go to Washington. Playboy Charly first takes her to Lake Starnberg, where she meets best-selling author Evers. He immediately leaves his wife and travels with Francesca to Spain, where he negotiates a project with the American film producer Polonsky. No one remains unimpressed by the mysterious beauty. Supergirl remains elusive— she quickly disappears again, leaving behind a warning to the inhabitants of Earth that an attack from outer space is imminent...