The complete 12-book History of Middle-earth, printed in three volumes and set in a matching box. J.R.R. Tolkien is famous the world over for his unique literary creation, exemplified in The Hobbit, The Lord of the Rings and The Silmarillion. What is less well known, however, is that he also produced a vast amount of further material that greatly expands upon the mythology and numerous stories of Middle-earth, and which gives added life to the thousand-year war between the Elves and the evil spirit Morgoth, and his terrifying lieutenant, Sauron.It was to this enormous task of literary construction that his Tolkien's youngest son and literary heir, Christopher, applied himself to produce the monumental and endlessly fascinating series of twelve books, The History of Middle-earth.This very special collector's edition brings together all twelve books into three hardback volumes – over 5,000 pages of fascinating Tolkien material – and places them in one matching box.

For the extended version please see https://www.goodreads.com/book/show/5... Aux temps reculés qu'évoque le récit, la Terre est peuplée d'innombrables créatures étranges. Les Hobbits, apparentés à l'homme, mais proches également des Elfes et des Nains, vivent en paix au nord-ouest de l'Ancien Monde, dans la Comté. Paix précaire et menacée, cependant, depuis que Bilbon Sacquet a dérobé au monstre Gollum l'anneau de Puissance jadis forgé par Sauron de Mordor. Car cet anneau est doté d'un pouvoir immense et maléfique. Il permet à son détenteur de se rendre invisible et lui confère une autorité sans limites sur les possesseurs des autres anneaux. Bref, il fait de lui le Maître du Monde. C'est pourquoi Sauron s'est juré de reconquérir l'anneau par tous les moyens. Déjà ses Cavaliers Noirs rôdent aux frontières de la Comté. La trilogie de Tolkien, l'une des créations les plus riches et les plus neuves de notre temps, est aujourd'hui portée à l'écran par Peter Jackson.

In 1925, four-year-old Michael Tolkien lost his beloved toy dog on the beach. To console him, his father, J.R.R. Tolkien, improvised a story about Rover, a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal. This charming tale, peopled by a sand-sorcerer and a terrible dragon, by the king of the sea and the Man-in-the-Moon, endured several drafts over the years. Now, more than seventy years later, the adventures of Rover are published for the first time. Rich in wit and wordplay, Roverandom is edited and introduced by Christina Scull and Wayne G. Hammond and illustrated with Tolkien's own delightful drawings.

This set includes: Poems by J.R.R. Tolkien Volume I This volume collects illustrations by J.R.R. Tolkien with poems from The Hobbit up to and including the escape from the Spiders.Some of the illustrations have been coloured by H.E. Riddett. Poems by J.R.R. Tolkien Volume II This volume collects illustrations by J.R.R. Tolkien with poems from The Hobbit from the escape from the Woodland Realm onwards.Some of the illustrations have been coloured by H.E. Riddett. Poems by J.R.R. Tolkien Volume III This volume collects illustrations by J.R.R. Tolkien with The Stone Troll and the title poem from The Adventures of Tom Bombadil.Some of the illustrations have been coloured by H.E. Riddett. 引自：http://www.tolkienbooks.net/php/details.php?reference=87280

THE GREATEST FANTASY EPIC OF OUR TIME Bilbo Baggins was a hobbit who wanted to be left alone in quiet comfort. But the wizard Gandalf came along with a band of homeless dwarves. Soon Bilbo was drawn into their quest, facing evil orcs, savage wolves, giant spiders, and worse unknown dangers. Finally, it was Bilbo–alone and unaided–who had to confront the great dragon Smaug, the terror of an entire countryside . . . This stirring adventure fantasy begins the tale of the hobbits that was continued by J.R.R. Tolkien in his bestselling epic The Lord of the Rings.

This is the story of how a Baggins had an adventure, and found himself doing and saying things altogether unexpected… ‘A flawless masterpiece’ The Times Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End. But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day, to whisk him away on a journey ‘there and back again’. They have a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon… The prelude to THE LORD OF THE RINGS, THE HOBBIT has sold many millions of copies since its publication in 1937, establishing itself as one of the most beloved and influential books of the twentieth century.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

This tale of Middle-earth's First Age, which appeared in incomplete forms in the posthumously published and , also edited by Tolkien's son, Christopher, only hinted at the depth and power of the tragic story of Túrin and Niënor, the children of Húrin, the lord of Dor-lómin, who achieved renown for having confronted Morgoth, who was the master of Sauron, the manifestation of evil in the Lord of the Rings. Six thousand years before the One Ring is destroyed, Middle-earth lies under the shadow of the Dark Lord Morgoth. The greatest warriors among elves and men have perished, and all is in darkness and despair. But a deadly new leader rises, Túrin, son of Húrin, and with his grim band of outlaws begins to turn the tide in the war for Middle-earth -- awaiting the day he confronts his destiny and the deadly curse laid upon him.

Describes and documents the myths and legends of the Elder Days, as they were evolved and transformed by Tolkien and includes previously unpublished documents in which the author struggles to examine the nature and destiny of his characters.

In Volumes Ten and Eleven of The History of Middle-earth, Christopher Tolkien recounts from the original texts the evolution of his father's work on The Silmarillion, the legendary history of the Elder Days or First Age, from the completion of The Lord of the Rings in 1949 until J.R.R. Tolkien's death. In volume ten, Morgoth's Ring, the narrative was taken only as far as the natural dividing point in the work, when Morgoth destroyed the Trees of Light and fled from Valinor bearing the stolen Silmarils. In The War of the Jewels, the story returns to Middle-earth and the ruinous conflict of the High Elves and the Men who were their allies with the power of the Dark Lord. With the publication in this book of all J.R.R. Tolkien's later narrative writing concerned with the last centuries of the First Age, the long history of The Silmarillion, from its beginnings in The Book of Lost Tales, is completed; the enigmatic state of the work at his death can now be understood. A chief element in The War of the Jewels is a major story of Middle-earth, now published for the first time - a continuation of the great "saga" of Turin Turambar and his sister Nienor, the children of Hurin the Steadfast. This is the tale of the disaster that overtook the forest people of Brethil when Hurin came among them after his release from long years of captivity in Angband, the fortress of Morgoth. The uncompleted text of the Grey Annals, the primary record of the War of the Jewels, is given in full; the geography of Beleriand is studied in detail, with redrawings of the final state of the map; and a long essay on the names and relations of all the peoples of Middle-earth shows more clearly than any writing yetpublished the close connection between language and history in Tolkien's world. The text also provides new information, including some knowledge of the divine powers, the Valar.

Review 'How, given little over half a century of work, did one man become the creative equivalent of a people?' The Guardian 'Demanding to be compared with English mythologies! at times rises to the greatness of true myth' Financial Times 'A creation myth of singular beauty! magnificent in its best moments' Washington Post Product Description For the first time in paperback, a fully illustrated edition of The Silmarillion, with colour plates by the celebrated artist Ted Nasmith -- designed to match the rest of the Tolkien series. J R R Tolkien's SILMARILLION is the core work of the Middle-earth canon. It is in this complex and often neglected masterpiece that the entire cosmology for the background for THE HOBBIT and, particularly, THE LORD OF THE RINGS is documented. This new paperback volume contains fabulous tales of heroes and monsters, and the history of the Silmarils -- the magical jewels produced by Feanor, most gifted Lord of the Elves; it tells of the creation of Middle-earth, and the coming of Men into the world; it chronicles the early epic battles between good and evil, forces of light and dark, which foreshadow the great conflict with Sauron, the Dark Lord, in THE LORD OF THE RINGS. These tales of Middle-earth were published posthumously in 1977. Tolkien worked on THE SILMARILLION all his life -- long before THE HOBBIT or LORD OF THE RINGS -- and his son and literary executor Christopher Tolkien edited the material he left behind into its current form. Complete with a series of full-colour paintings by acclaimed Tolkien artist Ted Nasmith, this sumptuous new edition allows the stories within to really come alive - from the creation of the world and the Tale of Beren and Luthien to the Fall of Numenor and the End of the First Age.

The Silmarillion is the central stock of J.R.R. Tolkien's imaginative writing, a work that he could not publish in his lifetime because it grew with him. Its origins stretch back sixty years, long before The Hobbit, which was independently conceived but was caught up into what he called the "branching acquisitive theme" from which emerged The Lord of the Rings . The Silmarillion, though published last and posthumously, has the primacy, both in terms of the author's life and in terms of its content. It is the story of the First Age in Tolkien's world, the ancient dramas to which characters in The Lord of the Rings look back, and in whose events some of them, such as Elrond and Galadriel, took part. The three Silmarils were jewels created by Fëanor, most gifted of the Elves. Within them was imprisoned the light of the Two Trees of Valinor before the Trees themselves were destroyed by Morgoth, the first Dark Lord. Thereafter the unsullied Light of Valinor lived on only in the Silmarils; but they were seized by Morgoth and set in his crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Fëanor and his kindred against the gods, their exile from Valinor and return to Middle-earth, and their war, hopeleess despite their heroism, against the great Enemy. The book includes several other shorter works beside The Silmarillion proper. Preceding it are the Ainulindalë or Music of the Ainur, a myth of the Creation, and the Valaquenta, in which the nature and powers of each of the gods are set forth. After The Silmarillion is the Akallabêth, in which is recounted the downfall of the great island kingdom of Numenor at the end of the Second Age; and at the end is the tale Of the Rings of Power, in which the matter of the Lord of the Rings is treated in the manner The Silmarillion. The Silmarillion is not a romance, not a fairy tale, not a fictitious history contrived for its own sake. It is a work of unparalleled and sustained imagination, a sombre vision in the mode of myth and legend of the conflict between the desire to dominate the world and other wills and the creative power that proceeds from the development of inherent inner talents. The corruption of Fëanor, the creator of supreme beauty, by the deceits of Morgoth and by his own possessive passion for the things of his own making, and the fruits of that corruption, is one of its central themes. The Silmarillion has been edited and prepared for publication from many manuscripts by the author's son, Christopher Tolkien. Emblems designed by J.R.R. Tolkien. Front Cover: Lúthien Tinúviel Back Cover: Fingolfin; Eärandil; Idril Celebrindal; Elwë; Fëanor.

Includes volumes 10 to 12 of The History of Middle-earth. Issued in a cloth covered slipcase. Limited edition of 1,000 copies.

Presented here in hardcover with a beautiful jacket chosen through a global fan poll, J.R.R. Tolkien's epic masterpiece, The Lord of the Rings, has been hailed throughout the world as one of the greatest adventure stories ever written. Millions of readers have celebrated this exciting tale of hobbits, wizards, men, dwarves, and elves in a land called Middle-earth. Now millions of filmgoers have embraced the blockbuster motion picture trilogy that has fired the imaginations of a new generation. Returning to Hobbiton after an absence of many years, the wizard Gandalf quickly sought out Bag End, the home of his old and dear friend the hobbit Bilbo Baggins. It was the morning of Bilbo's one hundred and eleventh birthday, and a party of special magnificence was planned for that night. The old hobbit had been plagued by the incessant attentions of unwanted visitors, well-wishers, and distant relations, prompting him to hang out a sign on his front gate warning "No admittance except on party business." It was in this grumpy state of mind that Bilbo, completely unprepared for the joyous reunion that awaited him, stomped to the door to answer Gandalf's knock. These unique, limited-edition bookend sculptures have been hand-cast in heavyweight polystone and hand-painted to the highest standards by the artists of Sideshow/Weta, a unique partnership between museum-quality collectibles manufacturer Sideshow, Inc. and Weta Workshop of New Zealand, the artisans responsible for the conceptualization, prosthetics, makeup effects, weapons, armor, and miniatures for Peter Jackson's Lord of the Rings film trilogy.

From the land of Mordor, an evil darkness creeps across Middle-earth. Armies of men and elves and dwarves have been raised in futile efforts to combat this evil. Great wizards have been unable to check it. But in the peaceful, far-off Shire, a hobbit named Frodo Baggins holds a ring that may be the key to defeating Mordor. This stirring saga of epic evil and heroic courage begins with a fellowship joined in a desperate quest that may be the only hope for restoring goodness and light to the land.

As the dark forces of Mordor spread throughout Middle-earth, the fellowship forged to destroy the One Ring of power is broken, leaving Frodo Baggins and the stalwart Sarnwise Gamgee alone to return the ring to Mount Doom -- and to face former ringholder Gollum. Meanwhile, the rest of the fellowship comes up against the growing power of the renegade wizard Sarnman, while huge armies build in preparation for the first great battles of the War of the Ring.

In the third volume of The Lord of the Rings trilogy the good and evil forces join battle, and we see that the triumph of good is not absolute. The Third Age of Middle-earth ends, and the age of the dominion of Men begins.