On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

film directed by Tigran Keosayan

Having fled from the Crimea, Wrangel, having concentrated his army on the Bulgarian coast, is preparing a landing force and counts only on the support of the counter-revolutionary underground hiding in Rostov. Captain Filatov falls into the hands of the Red Army soldiers, who is "arranged" to escape with the help of Chekist Bakharev. Filatov, together with his "savior", finds himself at the center of a secret organization preparing a senseless rebellion.

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

"Makarov" both a popular Russian name, and also slang for the word "gun," serves as a metaphor for the brutal reality of life in a post-totalitarian society. The story's protagonist, Makarov, embodies this struggle as he becomes more mechanical and less spiritual upon acquiring a gun.