An elaborate deception emerges when an American astronaut is lost on a mission to Mars. Space agency officials fearful of losing public support and government funding decide to cover up the accident by employing an exact double for the lost astronaut. The ruse begins to unravel when the wife of the lost astronaut realizes she is living with a different man. Although angered by the deception, the woman has fallen in love with the replacement and plans to keep the secret. They both have a change of heart and decide to reveal the secret when they discover a new Mars mission is underway.

Two men who have been friends since childhood find themselves on opposite ends of the law.

When crooks set up operations in a traditional town, a minister and a group of church ladies are willing to do anything, no matter how wacky, to get them out.

An ex-employee of a city oil refinery creates an explosion at the facility which starts a chain-reaction of fires that engulf the entire city.

Webster is an American situation comedy that aired on ABC from September 16, 1983 until May 8, 1987, and in first-run syndication from September 21, 1987 until March 10, 1989. The series was created by Stu Silver. The show stars Emmanuel Lewis in the title role as a young boy who, after losing his parents, is adopted by his NFL-pro godfather, portrayed by Alex Karras, and his new socialite wife, played by Susan Clark. The focus was largely on how this impulsively married couple had to adjust to their new lives and sudden parenthood, but it was the congenial Webster himself who drove much of the plot. The series was produced by Georgian Bay Ltd., Emmanuel Lewis Entertainment Enterprises, Inc. and Paramount Television. Like NBC's earlier hit Diff'rent Strokes, Webster featured a young African-American boy adopted by a white family.

A roving bachelor gets saddled with three children and a wealth of trouble when the youngsters stumble upon a huge gold nugget. They join forces with two bumbling outlaws to fend off the greedy townspeople and soon find themselves facing a surly gang of sharpshooters.

When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.

A man is accidentally locked in a department store overnight and finds himself held at bay by six vicious Doberman guard dogs.

Sherlock Holmes investigates the murders commited by Jack the Ripper and discovers a conspiracy to protect the killer.

1967 film

Quincy Drew and Jason O’Rourke, a pair of friends and con men—the former white, the latter a Northern-born free Black man— travel from town to town in the pre–Civil War American West. In their scam, Quincy sells Jason into slavery, frees him, and the two move on to the next town of suckers . . . until a con gone wrong leads Jason into real danger.

在新几内亚的人类学探险队遭遇到一群类似猩猩的生物，推测可能是介于人猿与人类间的过渡动物。

Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them. This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days. COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy." Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.