Stan Brakhage steps out of his usual role as experimental filmmaker to narrate animated visualizations of Venezuelan creation myths.

In this handmade film, composed of more than four thousand collages and shot in 35mm color, the actress Lillian Gish is seamlessly appropriated from silent-era cinema and plunged into a new and haunting role. Night Hunter evokes a disquieting dream scape, drawn from allegory, myth and archetype.

《炼金边缘》将电影默片时代的演员玛丽·平克福德和珍妮·盖纳从她们1920年代的老电影中摘取出来，并无缝安插到一个超现实主义的反弗兰肯斯坦式故事和一段集体崩溃的暗流中。这部影片由六千多张手工制作的拼接图片构成，作为三部曲中的最后一段，聚焦于女性复杂深邃的内心世界。音乐和音效设计出自Brothers Quay的莱奇·简考斯基之手。