A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.

Jodie Mack’s bracing 16mm montage film juxtaposes gleaming close-ups of electrical circuit boards with hyper-saturated images of a flower-littered landscape. In its rapid-fire presentation, the film offers a swift metaphorical representation of technology’s inexorable march.

Point de Gaze Jodie Mack 2012 USA | Format: 16mm | color | silent | 5 minutes Named after a type of Belgian lace, this spectral study investigates intricate illusion and optical arrest.—J.M.

A collaboration with Four Tet for Everything Ecstatic (Domino, 2005). Direct animation with stained-glass contact paper, ink, and acetate.

A playful trip around the world, through its fabrics and textiles and their place in a busy international market.