This 1964, interview of Alfred Hitchcock was part of the CBC television series Telescope with host-director Fletcher Markle. It was conducted during or immediately after the filming of Marnie and also contains interesting stories and comments from Alfred Hitchcock and his associates Norman Lloyd, Joan Harrison and Bernard Herrmann. There are clips from and during the making of several Hitchcock movies. While some of the recollections are part of Hitch's standard interview material others are unique.

This documentary is a fascinating look at the cinematic genius of Alfred Hitchcock. Briefly covering much of his early British works, the film primarily focuses on his American classics, such as "Shadow of a Doubt", "Notorious", "Rear Window", "Vertigo", "Psycho" and "The Birds". The movie also covers his television years and neatly examines the Hitchcock signature touches, from his inevitable brief cameo to his famous MacGuffin. Kevin Spacey narrates, and there are interviews with his delightful daughter Pat as well as such film directors as Brian De Palma, Jonathan Demme, Curtis Hanson, Robert Altman, Ronald Neame and Peter Bogdanovich, along with cast and crew members Tippi Hedren, Joseph Stefano, Norman Lloyd, Robert F. Boyle, Teresa Wright and Janet Leigh.

A woman who once accused Henry Dow of a crime enters the town and he invites her to stay with him and his sister. She tells Henry that she is carrying a large amount of money since she is planning an investment. Henry kills her for the money and dumps her body into the river. Henry then attends a dedication ceremony held on a bridge overlooking the river. When a body floats by, Henry is asked to identify it as the missing Miss Wilkinson. Without really looking at the body, he says it isn't her. A police detective asks Henry's sister to identify the body. Before she can have a look Henry confesses to the murder. Unfortunately for him, the body wasn't Miss Wilkinson's at all. It was someone else

John Gaminsky finds a wallet containing a lot of money. He sees an ad in the paper asking for its return. His wife tells him to give the wallet back, but John lies to her and tells her he already did so. When she sees the ad again, she realizes he kept the cash for himself. She gives him a choice: either let her shop at an expensive store or she'll call the police. John opts for the former. When she goes on a buying spree, however, he realizes there is not enough to share. His wife comes to the same conclusion.

In the Civil War, Union soldiers are about to hang a defiant Confederate planter from a bridge, for sabotage. The noose is placed around his neck, but the rope breaks and he plummets from the bridge into a river. Dazed, he swims the rapids downstream, while the soldiers fire at him. He clambers on a river bank, and excitedly starts his journey back to his family plantation.

One day, Ronald Grimes receives a letter from a Mr. Christianai who says he can predict the future. The letter correctly predicts the outcome of an upcoming election. More letters follow and through gambling, Grimes acquires a large amount of money. A final letter from Christianai asks for a contribution. Grimes gives it quite willingly. Later Grimes finds out that Christiani was a fraud. He was really a con man who sent out thousands of letters half of them predicting one kind of outcome, and the other half predicting another. Grimes was luck: he got the right predictions time after time.

Gerald Daniels is granted a last request on the eve of his execution. He asks for a typewriter. He writes a letter to a newspaper that recounts his criminal career. In the letter he explains how he once murdered a waitress who was trying to blackmail him, how the D.A. convicted her ex-husband of the crime, and how the man had been executed. He writes that he, now, is in the same position: he is going to be executed for a crime he did not commit. Before his death, he wants to testify that the D.A. is not only a sloppy prosecutor, but also a murderer.

Tommy Greer is a crime buff who decides to commit a motiveless murder in order to confuse the police. He selects his victim from a phone book at random. He tracks him down and kills him but his "perfect crime" is unraveled by modern crime-fighting techniques.

Mr. Pelham consults a doctor about a series of troubling incidents. Recently a number of his acquaintances have claimed to have seen him in places where he could not have been. The doctor suggests that there must be another man with a strong resemblance to Pelham. But it soon becomes obvious that the other man is also deliberately impersonating him - even to the point of using Pelham's apartment as his own.

Joe Kedzie is released from prison after committing a robbery. Only Joe knows where the money is hidden: at the bottom of a mine shaft out in the desert. Maxie and Madge find Joe when he goes to retrieve the money. He agrees to cut them in. Maxie gets greedy and Joe shoots him. Unfortunately, he also puts a hole in their only canteen. Joe lowers himself down the mineshaft with a rope to retrieve the money. He ties the money to the rope and sends it up. When he tries to climb out, Madge cuts the rope and he falls and breaks his leg. Madge tries to get away, but discovers that Joe has the keys to the truck.

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

Carl and Elsa Spann have moved into a trailer park in California, after Elsa suffered a nervous breakdown. She is adjusting well to a more peaceful lifestyle, after her rigorous training as a ballerina. But then Carl comes home from work to find Elsa shocked and traumatized after a man assaulted her in the trailer. The police investigate, but find little to go on. Carl becomes increasingly angry about what has happened, and he is determined to kill the man responsible, if he can find him.

Dave Rainey was once a healthy, successful individual. He now finds himself struck down in the prime of his life and confined to an iron lung. He has a full-time nurse and his pretty wife is attentive, but he is concerned at her friendship with Arnold Barrett. One evening, she gives their full-time nurse the evening off and Dave concludes this must be the evening that she will finish him off. He confronts her and she admits that she had been planning this for some time but in the end, she is unable to complete the task. Little does she know that Dave has his own plans for her.

Mr. Callew, a demanding businessman, is resting by the beach when he receives a telephone call from a recently discharged employee. The man is in tears, but the unyielding Callew shows no sympathy, and hangs up on him. Later, when Callew starts to drive home, his car runs off the road at a construction site. When he comes to, Callew is paralyzed. Several persons come by, but he is unable to communicate with them, so they think he is dead. Fully aware of his predicament, he becomes increasingly terrified.

This short offers director Alfred Hitchcock's three granddaughters the chance to share their fond remembrances of their granddad, as well as Patricia Hitchcock's memories of her father. Featuring vintage home movies, family photos, and even some vacation snapshots, this featurette delivers a heartfelt look into facets of Hitchcock's personality and family life rarely seen by the public.

Great documentary features interviews with Martin Scorsese, Curtis Hanson, Francis Lawrence, William Friedkin, Guillermo Del Toro, John Carpenter and others as they discuss the films and style of the Master of Suspense. Various topics are discussed including how Hitchcock always had you cheer for the killer, how the good guy on conflicts, objects of desire, how sound was used and the importance of objects that might not mean anything. By the time this documentary was released in 2009 there had already been countless films that took a look at Hitchcock and his style so you might go into this thing wondering what else there is for us to know but what makes this film so special is how those involved really do look at things you might not have noticed before. This was produced by Warner so the film's covered are the ones they owned like STRANGERS ON A TRAIN, NORTH BY NORTHWEST, SUSPICION, I CONFESS, THE WRONG MAN, MR. AND MRS. SMITH and DIAL M FOR MURDER among others. These are films that most fans have seen multiple times and it's still interesting at how the filmmakers really breakdown certain scenes and make you notice things that you might not have. There's no doubt that after watching this you'll want to go back and watch all of the films again just so you can view them in a new way, which is something that happens with most Hitchcock classics. Scorsese offers up some interesting views on THE WRONG MAN and the discussion of Hitchcock's humor is spot on. Fans of the great director are really going to enjoy this 57-minute film and we even get a couple interviews with Hitchcock himself that were recorded back in the 70s.

法国独立短片导演法布里斯·马蒂厄(Fabrice Mathieu)是一个很有才华的创作者。2011年，他曾根据五十余部老黑白片混剪出一支名为《影子杀手》的短片。2012年，他又拍摄了真人短片《身后事》(Mémoires Vives)，讲的是一个男人穿越到来生的旅行。总之，做的都是很有想法的短片。 日前，法布里斯又混剪了一支9分40秒短片《悬疑大师》(Master of Suspense)。将希区柯克在以往电影中的客串镜头、预告片中的出镜及若干影片片段进行重新剪辑，个别场景还特效加特效。用场景来剪辑故事，并混入了希区柯克御用配乐人伯纳德·赫尔曼的OST，串成一部血淋淋的黑色犯罪电影。法布里斯深谙“黑色电影”之道，用希区柯克在《伸冤记》开场的出镜+旁白作为引言，之后故事进入正题：希区柯克来到大宅行凶，成了警方通缉的凶手。他一路逃亡，期间还枪杀了詹姆斯·斯图尔特。这支短片从观影角度来看，很有铅黄片的特色，剪辑的饶有趣味。如果你是希区柯克迷，那么可以好好看看它们都是出自哪些电影。如果你对希区柯克不熟，也可以当成是他带着你游历电影场景。

今年8月23日，以色列完成了撤离西岸两个犹太人定居点。至此以方已全部撤出加沙和西岸25个犹太人定居点。为防止局面失控引发流血冲突，以军方和安全部队调动了1万多名兵力，进驻西岸萨努尔和胡迈什两个犹太人定居点，但仍遭到约2000名居民及反对者的抵抗。凤凰大视野特此推出《以色列―一个国家的传奇》, 与观众一起探讨持续半世纪的以色列问题。究竟一个长期面对困局的国家，能否走出矛盾、流血、报复及仇恨而最终迈向和平