1956 Spanish film by Luis Lucia Mingarro

1949 film directed by Ricardo Gascón

1950 film directed by José Luis Sáenz de Heredia

Comedy as six pensioners in residence take on the sponsorship of the FOOTBALL team in the neighbouring orphanage with unexpected consequences.

La trama evoca la situación del campo andaluz en vísperas de la guerra civil y en sus comienzos. Es una historia que cabalga entre el documental y la ficción, y que recoge el quehacer de los jornaleros en los años 30 del pasado siglo. Basada en una novela de Antonio García Cano describe con cierto detalle la vida cotidiana de un grupo de jornaleros que protagonizan una movilización por sus derechos más elementales. Se puede entender que estos están vinculados con la CNT aunque no queda muy precisado. El colectivo asiste esperanzado a la victoria electoral del Frente Popular hasta que llegan las noticias del golpe y los caciques con el apoyo del ejército y de la Falange comienzan la caza de los "rojos" que se habían distinguido en las luchas en una tierra de rastrojos, o sea donde los campesinos viven de lo queda después de que los amos se hayan quedado con el producto de la siega. (FILMAFFINITY)

1977 Spanish film

Lucia is a mature woman who maintains a relationship with the young John. When he is found murdered in a bullring with a nail stuck in his chest, Lucia is the prime suspect, it is believed that the motive for the crime was jealousy because it felt for her daughter Marta, which had also been seduced by John.

Carlos goes to visit his girlfriend Juana at the asylum where she works. Once there, the director introduces him to his niece, who is obsessed with playing the harp, and to a nurse who repeats word for word what Carlos says.

Azucena is 22 years old and lives with her mother, who, due to a past trauma, can no longer speak. Azucena works in a photography lab with her best friend Paqui, and has just broken up with her latest boyfriend Dani. Azucena lives in fear of sex and physical contact, hiding in her own sheltered world. Cesar, a plastic artist feels an obsessive attraction for Azucena, as a result, making her his inspiration. This obsession is painfully observed by Jacinto, the unstable artist's lover, who is himself involved in a violent and destructive relationship with Cesar.

After the death of dictator Francisco Franco, Florentina gives her family shocking news.

Paolo Anselmi is a happily single man. He lives in a flat with a friend but is forced to leave when the friend gets married. He then goes to a boarding house where he flirts with a girl but ditches her when she proposes marriage. When he goes and visits his mother he finds out that she is also trying to find the right girl for him. Is he going to surrender this time?

"La Susana" es una chica huérfana que sirve en casa de la señora Engracia, una mujer que la recogió en brazos de su madre antes de morir. Allí viven también tres sobrinos de ésta: "la Asunta", "la Trini" y "el lorito" vagos, chulos y que abusan de Susana a su antojo. A ella, ingenua y de buen corazón, la conocen como "la tonta del bote" porque recoge colillas de tabaco y las guarda en una lata para dárselas a un pobre violinista ciego. La señora Engracia, por falta de dinero, decide alquilar una habitación, así aparece Felipe "el postinero", un bailarín al que las malas lenguas le dan fama de conquistador, chulo y mujeriego.

A biography of the Spanish painter Francisco José de Goya (1746-1828), who went from being a court painter to creating heartbreaking images denouncing the atrocities and injustices of his time.

Bilbao, Spain. After breaking up with Elisa, his girlfriend for several years, Txema meets Claudia, a gorgeous Argentinian girl, in a very awkward situation. They become friends so soon and so easily that Txema misinterprets Claudia's feelings for him.

Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter