本片是由Alberto Vázquez Figueroa执导，法比奥·特斯蒂、艾格斯蒂娜·贝利和Jorge Rivero等人出演的冒险片。 农场主亚历克斯一家原本过着幸福安逸的生活，不料祸从天降，亚历克斯的老婆孩子一夜之间被人杀害，房子烧毁，他本人也被送进了精神病院。几年后，亚历克斯终于趁机逃出了精神病院，独自踏上了复仇之旅。在一个神秘的远古山洞里，亚历克斯得知他的仇人正是泰坦公司的老板巴勒斯。巴勒斯表面上为消费者设计和制作游戏，实则在钻研远古人类克罗马农人留下的神秘机器，妄图解开永生的秘密。为了阻止亚历克斯的复仇计划，巴勒斯派出了众多打手，想致亚历克斯于死地。在茫茫人海中逃亡的亚历克斯得到了女警察卡特的协助，然而他的复仇计划能够成功吗？复仇之后他又将何去何从？

Two men are on their way to Denver City to settle a personal score. One is looking for the murderer of his father, the other for a former friend who stole his gold. They're joined by a third person, a mysterious pistolero.

A sheriff is killed by the leader of the local bad guys, and the father of the sheriff is not to pleased. The father, Mr. Piluk, is the local undertaker and also plays a mean violin when he is in a bad mood.

Two Israeli agents uncover a ring of uranium smugglers. When Israeli agent Dan learns that an Austrian company has purchased a shipload of uranium for an Arab country, he calls in his colleague Renzo.

1973 film directed by Leros Pittoni

A bounty hunter wants to catch the Bandit Carson because he has a lot of people in his gang who are worth a lot of money. When he comes into White City he gets his first problems with Carson's son Lucas. After this incident Carson wants this man dead. They can catch him but not for a long time because he can escape with the help of Zoppo who the bounty hunter had helped a couple of days before.

Narra la atormentada historia de amor entre Elena Campireali, perteneciente a una familia noble, y Giulio Branciforte, bandido e hijo de bandido.

In Porto Rotondo, stories circulate about love and jealousy within a group of young people.

The young Flem Mascaslim it be a hindrance to Bill Warner and, like his father did, try to get rid of it to take over his ranch. Along with his manager devises a plan: will be arrested on suspicion of robbing a bank and present false witnesses to his sentence. But the Fox manages to free the boy, putting him safely home of a friend and her daughter.

After robbing a jewelry shop in Canada, two Americans arrange a meeting near the US borders in order to split the loot. One of them has an accident with his car on his way there and gets stuck in an isolated motel until his car is fixed. The owner of the motel, a sexy woman in her thirties, falls in love with him, but her suspicions about him begin to multiply, as the police arrive at the motel...

In the Thirteenth century, a group of Satan worshipers, the Knights Templar, are captured during a ritual and brutally murdered by the locals. Just before the execution, the Knights swear to return from their graves to haunt the village and the nearby forest. Centuries later, in a post-apocalyptic future, a man and his daughter try to survive against both the undead Knights and a sect commanded by a mad preacher.

Roy runs away from the labor camp of Santa Lucia with Emiliano, a New Mexico rancher, both imprisoned unjustly for three powerful American bankers, to seize the gold mine that had Emiliano. During flight, the landowner dies and in his last moments asked Roy to recover the mine and save Jessica, daughter of his former foreman.

An American ambassador to Israel tries to bring peace to the Middle East conflict through unconventional methods, but his efforts are hampered at every turn and his personal life threatened.

A young psychiatrist struggles to remove an erratic captain from command at an Italian base in the Lybian desert during World War II.

Gunslinger Clayton Drumm is about to be hanged when he is given a chance to live if he agrees to murder Matthew, a miner who has steadfastly refused to sell his land to the railroad company. Matthew’s refusal is a major obstacle to the railroad’s plans for expansion.

1977 film by Enzo G. Castellari

Here's another one outside the horror genre for director Lucio Fulci. He crafts a brutally biting, if disjointed Italian crime melodrama that serves to make you squirm in it gratuitous acts of extremely depraved violence and sleaziness. Fulci definitely left his calling card on this one, with many unforgettably unflinching nasty moments (like an uncomfortable face-melting scene). The superfluous gore and mean-spirited nature is great, but a lack of any real tension-building does hurt it. The twisty story is frank and unspectacular even with its shifty chain of bleak events and the script is weakly penned (the unsuitable humour when included falling flat), but being broken up by its impulsively vivid action stunts (nice use of slow-motion too) and gorgeous Naples' backdrop, leaves quite a hypnotic imprint. Sergio Salvati's brashly sharp and tight camera-work, interlocks with Fulci's kinetic visual bursts and rounding it off nicely is composer Fabio Frizzi's ever-changing, saucy music score that doesn't lye down. Performances are workably tailored. There's a humanely chiselled and honest performance by Fabio Testi. Marcel Bozuffi makes for a great smarmy, calculating French Mafia Don trying to take over Testi's character's turf. Ivana Monti, Ferdinand Murolo, Saverio Marconi and Guido Alberti provide able support. Quite an edgy, blunt and vicious crime joint that basically gets it kicks off its effectively rousing, if scandalous violence than anything more.