Recorded Live in Paris in 1980, this is a rare recording of Frank Zappa performing at the peak of his career with his incredible backing band, including Ike Willis (guitar/vocals), Ray White (guitar/vocals), Tommy Mars (keys), Arthur Barrow (bass) and David Logeman (drums). It was the year after Zappa released two of his greatest albums - Sheik Yerbouti, and the masterpiece Joe's Garage - and this cracking live show includes the classic Zappa songs Joe's Garage, Dancing Fool, Bobby Brown and The Illinois Enema Bandit. Tracklist : 01. Chunga's Revenge 02. Keep It Greasey 03. Joe's Garage 04. Why Does It Hurt When I Pee? 05. Dancin 'Fool 06. Bobby Brown 07. Ms Pinky 08. Illinois Enema Bandit

This live recording was culled from seven September 1992 concerts given in Vienna, Berlin, and Frankfurt by the Ensemble Modern, a Frankfurt-based chamber orchestra that performs only contemporary music. Composed and conducted by Frank Zappa.

Originally a BBC documentary, this film by Tony Palmer about the 1960's music scene was later released as a standalone DVD by the BFI

Frank Zappa: A Token of his Extreme is the 1974 television special recorded at Kcet in Hollywood that was produced by Zappa and aired only in France and Switzerland. The program, as thoroughly tweezed and produced by Zappa for his own Honker Home Video label, includes the following musical performances by Zappa and his band: T”he Dog Breath Variations/ Uncle Meat,” “Montana,” “Florentine Pogen,” “Stink-Foot,” “Pygmy Twylyte,” “Room Service,” “Inca Roads,” “Oh No,” Son of Orange County,” “More Trouble Every Day” and “A Token of My Extreme.” In the words of Zappa himself as he said it on The Mike Douglas Show in 1976, “This is put together with my own money and my own time and it’s been offered to television networks and to syndication and it has been steadfastly rejected by the American television industry.

A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.

A documentary on the life and music of manic-depressive, paranoid-schizophrenic cult music icon Wild Man Fischer.

This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.

An insider’s look into the gritty reality of building the local live music scene, Rock This Town brings to life the exciting history of rock music concerts in KW from the 1960s & ‘70s. Rock stars come and go but live music is here to stay!

Several pieces of Frank Zappa's music are set against clay animation by Bruce Bickford.

"Baby Snakes" is a film which includes footage from Frank Zappa's 1977 Halloween concerts at the Palladium in New York City. It also includes backstage antics from the crew, and stop motion clay animation from award-winning animator Bruce Bickford. The film had particular trouble finding a distributor. Frank Zappa tried to interest United Artists, the company that released 200 Motels (1971). Fearing that they were about to be embroiled in the Heaven's Gate (1980) fiasco, they turned him down. Other studios followed in United Artists' footsteps, fearing that Zappa's trademark cinematic style had lost considerable appeal in post-'70s pop culture. Several European distributors told Zappa that there might be interest if it were cut from its original 168-minute running time. The film was cut to 90 minutes and still there were no takers. Even after Bruce Bickford's sequences won first prize at a French animated film competition, there was no interest. Eventually Zappa took it upon himself to distribute the film independently via his own Intercontinental Absurdities production company. The film ran 24 hours a day at the Victoria Theater in New York City and made a handsome profit.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring