十三位电影制作人分享了他们对亨利·朗卢瓦的个人感想——这位电影资料馆法国的有远见的创始人——回顾他对他们生活的影响、他在保护电影历史中的作用以及他对世界电影的持久影响。

At the beginning of the film, we are presented with an ordinary story. It is the story of a student organization's internal struggle. The story begins with the protagonist taking a briefcase and the organization taking it back, along with his woman. The man who brings back the bag faces the woman. The room is somehow symmetrical. The room is somehow left-right symmetrical, with a low angle and fixed screen as in the Ozu style.

Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.

During World War II, the Japanese military established a secret underground laboratory in Tokyo. Three Olympic-level athletes were selected to undergo a process that would turn them into Jinra-go, superhuman armored soldiers. By March 1945, one of the soldiers had been completely transformed into the half man/half machine ultimate soldier called Mikadroid. But American B-29s firebomb the city and, while the two super soldiers manage to escape, Mikadroid and the lab are apparently destroyed. 45 years pass, Tokyo is rebuilt, and old secrets are forgotten. The site is now home to a complex that includes the Discoclub Layla. The disco’s patrons dance late into the night, unaware that a faulty basement generator has reactivated Mikadroid and the cyborg now prowls the basement levels, killing anyone in its path...

This documentary by Hubert Niogret looks at the revival of Japanese cinema during the 1990s.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Documentary on the creation of Kiyoshi Kurosawa's film "Chime"

第68届戛纳国际电影节法国当地时间2015年5月24日，第68届戛纳国际电影节落下帷幕。 法国导演雅克·欧迪亚的《流浪的迪潘》摘得金棕榈大奖，匈牙利导演拉斯洛·杰莱斯的处女作《索尔之子》获得评审团大奖，华语导演侯孝贤凭借《刺客聂隐娘》赢得最佳导演奖。法国文森特·林顿凭借《市场法律》获得最佳男演员奖，美国影片《卡罗尔》中的鲁妮·玛拉和法国影片《我的国王》中的艾玛纽尔·贝克特则并列获得最佳女演员。最佳剧本由墨西哥导演米歇尔·弗兰克的《慢性》获得，希腊导演欧格斯·兰斯莫斯凭借《龙虾》获得评委会奖。贾樟柯导演的《山河故人》则最终颗粒无收。

Charting the origins of Japanese horror films at the turn of the millennium, films featuring vengeful ghosts manifesting themselves through contemporary technology against a backdrop of urban alienation and social decay.

第70届戛纳国际电影节（70th Cannes Film Festival）于法国时间2017年5月17日至28日在法国戛纳举办 。 法国时间2017年4月13日，戛纳电影节组委会宣布了第70届戛纳电影节的开幕影片及主竞赛单元的首批片单。电影节组委会在报名参赛的1930部电影中，选出了49部影片，其中18部影片角逐最佳影片金棕榈奖 。 法国时间2017年5月28日（5月29日），鲁本·奥斯特伦德《自由广场》（瑞典）获得最佳影片金棕榈奖；罗宾·卡皮洛《每分钟120击》（法国）获得评委会大奖；妮可·基德曼（美国）获得70周年特别奖。

おにぎり2個、おかず1品、たくあんが入ったシンプルな“おにぎり弁当”で知られ、長年にわたり映画やドラマの撮影現場で愛されてきた弁当屋「ポパイ」にフォーカスを当てた本作。おにぎり弁当ができるまでの工程や、ポパイがどのような経緯で撮影現場の弁当作りに注力するようになったのか、またポパイで大量の弁当を発注するスタッフたちの姿が映し出される。

第二届海南岛国际电影节将于2019年12月1日至2019年12月8日在海南省三亚市举行，为提升电影节的品牌竞争力，第二届海南岛国际电影节在延续第一届电影节活动的同时，将首次增设竞赛单元——“金椰奖”评奖。

Directed by french film critic Alain Bergala and filmmaker Jean-Pierre Limosin, originally aired 18 March 2018.

A mother is accused of murdering her daughter but when she tells her tale, things don't seem to make sense. Her husband says they have no daughter, there's a psychic that can trace phone calls, a blonde who sings the US anthem, a house with no bathroom, some Lynchian dream sequences, aliens, breeding experiments, very quirky FBI agents, and some other random events.

2014 film

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

A Japanese actress begins having strange visions and experiences after landing a role in a horror film about a real-life murder spree that took place over forty years ago.

「ＣＵＲＥ」「カリスマ」の黒沢清監督最新作「アカルイミライ」の制作過程をつぶさに捉えた異色ドキュメンタリー。「森山大道」で注目された藤井謙二郎が、「アカルイミライ」の撮影現場に密着、黒沢監督へのインタビューを中心に、出演者やスタッフのコメントを織り交ぜ、映画監督黒沢清の創造の秘密に鋭く迫る。 今や世界が注目する監督の一人となった黒沢清の「回路」以来２年振りとなる新作「アカルイミライ」が2002年4月10日にクランクインした。主演のオダギリジョーはじめ、浅野忠信、藤竜也はみな初の黒沢作品への出演であり、それぞれが初顔合わせ。そんな中、撮影は東京を中心におよそ３週間に渡って行われた。その撮影現場の一部始終を藤井謙二郎のカメラが捉える。さらに、本作では「アカルイミライ」撮影中に撮られたメイキング映像そのものを見せながら、黒沢監督自らにその時の心境を語らせる独自の手法を用い、より具体的で率直な思いを引き出していく。

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.