With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.

Zara, an apathetic appliance store employee, unexpectedly becomes a celebrity after an unfortunate event with a famous actor. Fame and money become a curse for her. What rises fast, falls fast.

A married couple that has lost their spark faces an even greater crisis after a follied date night.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

2015 film by Daniela Goggi

film directed by Marcela Said

Ezequiel is a film music composer that can't find the inspiration he needs to compose a new score and Paula is a pregnant woman recently abandoned by her boyfriend whose mother has just came from Spain to meet her husband. Together they will try to solve their problems.

2020 Argentine television series

A sports fan loses everything for being addicted to his team and soccer. He then starts a quest to find a cure and recover his wife's love.

2012 film

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

一个女人消失了，她的男朋友一直在找他。为此，他去了她工作的地方，以及很多数不清的地方。他能找到她吗?

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

A woman vanishes. Two men take to the road in search of her: they both love her. Why did she leave? Each one of them has his own suspicions, and hides them from the other one who—mysteriously—never truly becomes his rival. Neither is right—but is anyone? This sudden runaway becomes the hidden core of a number of fictions that the film delicately weaves together: the secret of the heart of another woman, lost as well, many years ago; the secret of the life of a village in the countryside, governed by a supernatural incident that nobody seems to perceive; the secret of the plains, which never ceases to spread and devour everything, like the shadows that invade the world after the twilight hour.

一對感情穩定的40多歲男同志情侶想收養小孩，但兩人卻發現這條收養之路處處是阻礙，讓兩人無法通往幸福快樂的結局…至少無法通往原先計畫中的快樂結局。

Tellez is a strict and prestigious film critic, totally weary of Hollywood romantic comedies and certain that the best of the seventh art died long time ago. Maybe because of its work, suffers from what he calls the 'maladie du cinema': He sees the world like if it was a big movie that, in addition, he cannot keep from criticizing. While searching for his new apartment, he unexpectedly meets Sofia, a young and attractive woman that has very little to do with his good taste. 'Elemental, constructed on a basis of cliches' he would describe her. Movements of random bring them together over and over again, in strangely idyllic situations. Tellez attempts to escape from a staging that he loathes, but suspects that the movie genre that he hates the most is taking its revenge.

Leonardo, a successful industrial designer, lives with his family in an architectural wonder, a midcentury Le Corbusier home. One morning, he wakes to an irksome noise and is appalled to discover that workmen next door are constructing a large window that faces directly into his home. Leonardo protests, using a number of excuses (privacy, building codes, his wife), in an attempt to coerce his neighbor, Victor, into scrapping his plan. But Victor just wants a patch of sun to catch some rays. Thus, one man’s light is another man’s blight. Enamored of architecture, the film is meticulously designed. Mariano Cohn and Gastón Duprat give it a carefully crafted weirdness as well as a figurative quality. Its caustic humor comes in contemplating why the window completely undermines Leonardo. Does it reveal his arrogance, affectation, and lack of compassion; or dispel his bourgeois illusion of power? The Man Next Door offers a biting critique of moral shallowness—and what happens when thou dost not love thy neighbor’s window.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…