Lucia is a mature woman who maintains a relationship with the young John. When he is found murdered in a bullring with a nail stuck in his chest, Lucia is the prime suspect, it is believed that the motive for the crime was jealousy because it felt for her daughter Marta, which had also been seduced by John.

A scepter is stolen, and it's hunted for by various groups of international robbers and spies, for various reasons - in a parody of 007 movies.

Father Luis Lastra is a young priest who does his job in the village of Peñascosa. There he meets Marta, a beautiful parishioner very interested in religious matters, so much that she convinces the priest to accompany her to the convent to become a cloistered nun. Along the way, they have to stop at an inn for the night and that's where Father Luis will test his faith.

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.

Madrid, Carnival Sunday. A night watchman finds the body of a woman, a rich and greedy moneylender who has apparently been murdered. The prime suspect is a watchmaker who owed her a lot of money.

Antonio, the famous dancer is preparing a big performance for the TV. But he is missing a good female dancer. One day he sees a girl dancing in the streets but when he is going to talk to her she runs away. She lost one of her shoes and this will be the only hint Antonio will have to find her. She is the new Cinderella.

1970 film by José Luis Sáenz de Heredia

1957 film

Glaucus, a demobilized centurion returns home to Pompeii to find his father murdered by a gang of black-hooded Christian robbers that terrorizes the city and he decides to investigate the matter while the nearby volcano threatens to erupt.

本片是西班牙经典幻想片之一。当年美国演员查理-卓别林（Charlie Chaplin）看过此片后称西班牙导演Edgar Neville是“他所遇见过的最会讲故事的人”(“the best storyteller he ever met”)，并对此片的评价甚高。《乡村之声》也对此片有过详尽的介绍。 La Torre de los Siete Jorobados is a 1944 Spanish mystery film directed by Edgar Neville. It is based on a novel by Emilio Carrere. In 19th century Madrid a young man plays roulette. A mysterious character helps him by pointing with his walking stick the next number where the ball is going to fall. The protagonist is the only one able to see him. The mysterious man turn out to be the ghost of an archaeologist and ask the young man to defend his daughter from a gang of hunchbacks. Explore the labyrinthian depths and secret alleys of the Walter Reade's annual survey "Spanish Cinema Now" (December 8 through 26), and you'll find a mini retrospective devoted to Edgar Neville (1899–1967). The aristocratic Neville was a friend of Luis Bunuel and Charlie Chaplin (whom he met while in Hollywood directing Spanish-language talkies for MGM), with a reputation as a raconteur that's fully justified by the playful narratives of his best-known movies. Those showing include Life Hanging by a Thread (1945), a whimsical comedy of alternate destiny; two murder mysteries: the farcical Carnival Sunday (1945) and philosophical The Crime on Bordadores Street (1946); as well as a neorealist account of a demobilized cavalryman, The Last Horse (1950), and a color musical, Flamenco (1952). The most fabulous of Neville's fantasies is The Tower of the Seven Hunchbacks (1944), a supernatural shaggy-dog story in which, egged on by a dignified one-eyed ghost, a handsome if clueless Madrid bon vivant stumbles into a lost subterranean world. This secret city, built by Jews escaping the Inquisition, is populated by a cabal of sinister, coin-counterfeiting kyphotics, as well as a number of cobwebbed mummies and a mad archaeologist. The movie was evidently based on a horror novel but Neville's attitude toward this fantastic material is beyond bemused. (Village Voice)